{"id":130134,"date":"2024-06-09T12:19:05","date_gmt":"2024-06-09T09:19:05","guid":{"rendered":"https:\/\/milliycha.uz\/?p=130134"},"modified":"2024-06-09T12:19:10","modified_gmt":"2024-06-09T09:19:10","slug":"ikromov-hamidulla-ikromovich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/ikromov-hamidulla-ikromovich\/","title":{"rendered":"Ikromov Hamidulla Ikromovich"},"content":{"rendered":"\n<p>Ikromov Hamidulla Ikromovich (1909.11.11 \u2014 Toshkent \u2014 1964.14.4) \u2014 teatr rassomi, O&#8217;zbekiston xalq ras- somi (1950). Iskandar Ikromovning ukasi. Toshkent LED. texnikumini tu- gatgan (1929). O&#8217;zbekiston san&#8217;at muzeyi qoshidagi badiiy studiyada ta&#8217;lim olgan (1925-29). 1931 y. dan Hamza teatrida ishlagan. Nozim Hikmatning &#8220;Turkiya haqida hikoya&#8221; (1953), R. Tagor romani asosida tayyorlangan &#8220;Gang daryosining qizi&#8221; (1956), Hamzaning &#8220;Paran-Ji sir- lari&#8221; pesasi asosida tayyorlangan &#8220;xo- lisxon&#8221; (1956), Muhammad dib romani asosida tayyorlangan &#8220;Jazoir \u2014 mening Vatanim&#8221; (1957), M. Shayx-zodaning &#8220;Mirzo Ulugbek&#8221; (1961), I. Sulton- ning &#8220;noma&#8217;lum kishi&#8221; (1963) pesala- ri asosida tayyorlangan spek-takllarga asar mazmunini to&#8217;la ochishga xizmat qiladigan dekorasiya eskizlari yaratgan. M. Gorkiy nomidagi rus drama teatri- ning ayrim spektakllariga ham (mas, Hamzaning &#8220;paranji sirlari&#8221;, 1956) sahna bezaklari ishlagan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ikromov Hamidulla Ikromovich (1909.11.11 \u2014 Toshkent \u2014 1964.14.4) \u2014 teatr rassomi, O&#8217;zbekiston xalq ras- somi (1950). Iskandar Ikromovning ukasi. Toshkent LED. texnikumini tu- gatgan (1929). O&#8217;zbekiston san&#8217;at muzeyi qoshidagi badiiy &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/ikromov-hamidulla-ikromovich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-130134","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=130134"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130134\/revisions"}],"predecessor-version":[{"id":130145,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130134\/revisions\/130145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=130134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=130134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=130134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}