Ilmi iyqo (Arab \u2014 iyqo haqidagi ilm) \u2014 ilmi musiqiyning tar- kibiy qismi. Yaxlit va tugal nazariya si- fatida Abu Nasr Forobiyning asarlari (“Kitobul musiqa al-Kabir”, “Kito-bul iyqo’ot”, “kitob Fi ixsouliyq-o’ot” va b.)da ilk marotaba ilmiy asoslab be- rilgan va keyinchalik, Ibn Sino (“kitob ash-shifo”) va Qutbiddin ash-Sheroziy (“Durratut-toj li g’urratid-diboj”) risolalarida rivojlantirilgan. I.i. ta’limotining asosiy un-suri \u2014 naqr (nuqta, eng kichik va bo’linmas zamon) dir. Davr tarkibidagi naqrlar soni va sifati jihatidan iyqolar ikki sinfga bo’linadi: muvas-sal (ulangan, uzluksiz) va mufassal (bo’lingan, ayrilma). Har bir sinf, o’z navbatida, bir necha tur- lardan iborat. 10-a. badiiy ijodiyotida qo’llanilgan jami ritmik shakllarni Forobiy 12 asl (usul)ga asoslangan yax- lit iyqolar tizimi sifatida bayon etgan. Mazkur 12 usullar musiqiy amaliyot- da doimo yangicha badiiy estetik sifat (“vujud al-afzal”) darajasida namoyon bo’ladi. Iyqo usullariga turli ritmik, akustik, dinamik vositalar yordamida ke- rakli badiiy mazmun kiritish ma’dulot (tenglamalar) yoki tag’iyrot (o’zgartuvlar, almashtiruvlar) deb ataladi. I.i.ning ta’limoti “Forobiy jahonda birinchi bo’lib ilgari surgan geni-al goya edi” (J.D.Sava). Badiiy vaqt (“al-on”)ning yaxlitligi haqidagi Forobiyning Fi- kriga G’arbiy Evropa olimlari 20-a.ning 2-yarmidagina (Klod Levi Stross, Su- Sanna Langer va b.) etib kelishdi va tan olishdi. Ad.: Nazarov A., Forobiy va Ibn Sino musiqiy ritmika xususida (mumtoz iyqo nazariyasi), T., 1995. Abdumannon Nazarov.<\/p>\n","protected":false},"excerpt":{"rendered":"
Ilmi iyqo (Arab \u2014 iyqo haqidagi ilm) \u2014 ilmi musiqiyning tar- kibiy qismi. Yaxlit va tugal nazariya si- fatida Abu Nasr Forobiyning asarlari (“Kitobul musiqa al-Kabir”, “Kito-bul iyqo’ot”, “kitob Fi … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-130215","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=130215"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130215\/revisions"}],"predecessor-version":[{"id":130225,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130215\/revisions\/130225"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=130215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=130215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=130215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}