{"id":130364,"date":"2024-06-09T13:01:59","date_gmt":"2024-06-09T10:01:59","guid":{"rendered":"https:\/\/milliycha.uz\/?p=130364"},"modified":"2024-06-09T13:02:07","modified_gmt":"2024-06-09T10:02:07","slug":"imomov-diler-siddiqovich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/imomov-diler-siddiqovich\/","title":{"rendered":"Imomov Diler Siddiqovich"},"content":{"rendered":"\n<p>Imomov Diler Siddiqovich (1939.23.4, Toshkent) \u2014 rangtasvir usta &#8211; si. O&#8217;zbekiston xalq rassomi (2002). Re- spublika rassomlik bilim yurti (1960) va Toshkent teatr va rassomlik san&#8217;ati in-ti (1966)ni tugatgan. 1967 y.dan tosh- kent teatr va rassomlik san&#8217;ati inti- da dars bergan; 1997 y.dan Kamoliddin Behzod nomidagi Milliy rassomlik va dizayn intida dosent, 2000 y.dan prof. I. asarlarida insonning ichki dunyosini va uning tashqi olam b-n uyg&#8217;unligini aks ettiradi, ko&#8217;pgina asarlarining aso- sini ma&#8217;rifiy mazmun, mehnatkash bola- jonli o&#8217;zbek ayoli, uning kundalik tash- vishlari, orzu-umidlari, qishloq qayoti mavzusi tashkil qiladi: &#8220;dala shiyponi- dagi bolalar bog&#8217;chasi&#8221; (1967), &#8220;frontda- gi otamga&#8221; (1975), &#8220;katta Farg&#8217;ona kana- li qurilishida&#8221; (1980), &#8220;Ruh iltijosi&#8221; (Navoiyga bag&#8217;ishlangan, 1990), &#8220;kechki nido&#8221; (1991) va b. Keyingi yillarda I. ijodida ona yurt manzaralari keng o&#8217;rin oldi (&#8220;tanga-topgan qishlog&#8217;i&#8221;, 1994; &#8220;Tog&#8217;dagi ko&#8217;l&#8221;, 1995; &#8220;Chorvoq&#8221;, &#8220;shar- shara&#8221;, 1997 va b.), kalamtasvir ustasi sifatida tanildi (&#8220;Miraziz portreti&#8221;, 1983 va b.).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Imomov Diler Siddiqovich (1939.23.4, Toshkent) \u2014 rangtasvir usta &#8211; si. O&#8217;zbekiston xalq rassomi (2002). Re- spublika rassomlik bilim yurti (1960) va Toshkent teatr va rassomlik san&#8217;ati in-ti (1966)ni tugatgan. 1967 &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/imomov-diler-siddiqovich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-130364","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=130364"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130364\/revisions"}],"predecessor-version":[{"id":130373,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130364\/revisions\/130373"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=130364"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=130364"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=130364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}