Intonasiya (musiqada) \u2014 1) o’zaro bog’langan bir necha ma’noni angla- tuvchi nazariy-estetik tushuncha, ohang, kuy manbai. Keng ma’noda \u2014 badiiy obrazni musiqa tovushlari yordamida ifodalash. Musiqadagi I. balandlik jihatdan (notalar vositasida) belgi- lanishi va ma’lum lad tizimiga asos- lanishi b-n nutq I.sidan farq qiladi. Musiqaviy I. milliylik xususiyati- ga ega. Ba’zan yirik tarixiy o’zgarish (inqilob sodir bo’lishi, ijtimoiy tu- zum almashishi kabi)lar shu davr musiqa I.sida burilish yasaydi. Tor ma’noda \u2014 kuyning bir necha tovushdan iborat ifo- Dali parchasi, ohang bo’lagi. Musiqaviy I. antik davr, o’rta asrlar (jumladan, Sharq musiqa nazariyasi)da va Uyg’onish davrida o’rganila boshlangan. Fran- suz ma’rifatparvarlari (J. J. Russo) va ularning izdoshlari (A. Gretri, K. Glyuk), 19-a. dan boshlab rus kompozitor (A. Dargo-mijskiy, M. Musorgskiy) va musika tanqidchilari (A. Serov, V. Sta- sov, B. Yavorskiy) bu sohaga muhim hissa qo’shgan. 20-a.da musiqa I.sining asosiy masalalari bo’yicha musiqashunos akad. B. Asafev mukammal ta’limot yaratgan; 2) sozlarda, ayniqsa, nay, surnay, g’ijjak kabi pardasiz turlarida kuy chalishda, shuningdek, ashula aytishda tovushlarni baland-pastlik jihatidan aniq (kuyni buzmay) ijro etish sof (toza) I.lashga kiradi. Ad.: Asafev B. (I. Glebov), Muzi- kalnaya forma kak prosess, L., 1963; in- tonasiya i muzikalniy obraz (Sbornik statey), M., 1965.<\/p>\n","protected":false},"excerpt":{"rendered":"
Intonasiya (musiqada) \u2014 1) o’zaro bog’langan bir necha ma’noni angla- tuvchi nazariy-estetik tushuncha, ohang, kuy manbai. Keng ma’noda \u2014 badiiy obrazni musiqa tovushlari yordamida ifodalash. Musiqadagi I. balandlik jihatdan (notalar … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-130606","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=130606"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130606\/revisions"}],"predecessor-version":[{"id":130624,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/130606\/revisions\/130624"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=130606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=130606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=130606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}