{"id":132534,"date":"2024-06-14T15:05:59","date_gmt":"2024-06-14T12:05:59","guid":{"rendered":"https:\/\/milliycha.uz\/?p=132534"},"modified":"2024-06-14T15:06:00","modified_gmt":"2024-06-14T12:06:00","slug":"gomofoniya","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/gomofoniya\/","title":{"rendered":"Gomofoniya"},"content":{"rendered":"\n

Gomofoniya (gomo… va Yun. Phone \u2014 tovush, ovoz) \u2014 musiqada ko’p ovozli- lik turi; g.da bir (odatda yuqoridagi) ovoz etakchi bo’lib, boshqa ovozlar unga bo’ysunadi, jo’r bo’ladi. Bu xususiyati b-n G. barcha ovozlarning teng huqukliligiga asoslanuvchi polifoniyapan farq qiladi. G. atamasi asosan kompozitorlik ijodi- yotiga nisbatan ishlatilsada, g.dagi ovoz- larning badiiy-ifodaviy nisbatlari (tengsizligi) og’zaki an’anadagi musiqa, jumladan o’zbek xalq musiqasiga ham xosdir (mas, doira yoki dutor jo’rligida qo’shiq aytish va h.k.). Kompozitorlar ijodida g., avvalo, opera, oratoriya, Kan- Tata, jo’rli yakkaxon qo’shiqda va cholg’u musiqasida qaror topdi. 17-19-a.lar G’arbiy Evropa musiqasida g.ning keng tarqalishi garmoniya vositalarining jadal rivoji b-n barobar bordi. 20- a. boshlarida gomofonik musika shak- llari o’z rivojining ma’lum poyoniga etdi. O’zbekistan kompozitorlari (M. Burhonov, S. Yudakov, M. Bafoev va b.) ham g. xususiyatlaridan unumli foyda- landilar.<\/p>\n","protected":false},"excerpt":{"rendered":"

Gomofoniya (gomo… va Yun. Phone \u2014 tovush, ovoz) \u2014 musiqada ko’p ovozli- lik turi; g.da bir (odatda yuqoridagi) ovoz etakchi bo’lib, boshqa ovozlar unga bo’ysunadi, jo’r bo’ladi. Bu xususiyati b-n … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210],"tags":[],"class_list":["post-132534","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-g-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/132534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=132534"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/132534\/revisions"}],"predecessor-version":[{"id":132538,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/132534\/revisions\/132538"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=132534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=132534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=132534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}