{"id":133508,"date":"2024-06-15T10:50:18","date_gmt":"2024-06-15T07:50:18","guid":{"rendered":"https:\/\/milliycha.uz\/?p=133508"},"modified":"2024-06-15T10:50:19","modified_gmt":"2024-06-15T07:50:19","slug":"tojiev-jora","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/tojiev-jora\/","title":{"rendered":"Tojiev Jo&#8217;ra"},"content":{"rendered":"\n<p>Tojiev Jo&#8217;ra (1911 Toshkent 1995.12.6) \u2014 O&#8217;zbekiston xalq artisti (1967). Ijodiy faoliyatini 1928 y.da Esh tomoshabinlar teatrida boshlagan. 1930 y.dan Hamza teatrida ishlagan. Asosiy rollari: Alijon (K. Yashin, A. Umariy, &#8220;Hamza&#8221;), Boris Grigorevich (A. Ostrovskiy, &#8220;Momaqaldiroq&#8221;), Hakimjon (Uyg&#8217;un, &#8220;Navbahor&#8221;), Dobchinskiy (N. Gogol, &#8220;Revizor&#8221;), Shobarot (A. Qahhor, &#8220;Tobutdan tovush&#8221;), Graf Kent (F. Shiller, &#8220;Qaroqchilar&#8221;), Valer (Moler, &#8220;zo&#8217;raki tabib&#8221;), Rahmon (K. Yashin, &#8220;Yondiramiz&#8221;), Rozenkrans, Rodrigo (U. Shekspir, &#8220;Xamlet&#8221;, &#8220;Otello&#8221;), Abror, Toshpo&#8217;lat (Uyg&#8217;un, &#8220;Parvona&#8221;, &#8220;Parvoz&#8221;), Jamol (A. Qaxdor, &#8220;Ayajonlarim&#8221;), Jo&#8217;ra (S. Ahmad, &#8220;kuyov&#8221;) va b. Qahramonlarining tashqi qiyofasiga, yurishturishiga, mimikasiga ko&#8217;proq e&#8217;tibor berish, dilkash va oddiy kishilar qiyofasini bo&#8217;rttirib ko&#8217;rsatishga intilish T. ijodiga xosdir. Ayniqsa, &#8220;Otello&#8221; tragediyasidagi Rodrigo obrazi uning ijodida alohida o&#8217;rin tutadi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tojiev Jo&#8217;ra (1911 Toshkent 1995.12.6) \u2014 O&#8217;zbekiston xalq artisti (1967). Ijodiy faoliyatini 1928 y.da Esh tomoshabinlar teatrida boshlagan. 1930 y.dan Hamza teatrida ishlagan. Asosiy rollari: Alijon (K. Yashin, A. Umariy, &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/tojiev-jora\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187],"tags":[],"class_list":["post-133508","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-t-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/133508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=133508"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/133508\/revisions"}],"predecessor-version":[{"id":133516,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/133508\/revisions\/133516"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=133508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=133508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=133508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}