{"id":134043,"date":"2024-06-15T14:08:12","date_gmt":"2024-06-15T11:08:12","guid":{"rendered":"https:\/\/milliycha.uz\/?p=134043"},"modified":"2024-06-15T14:08:13","modified_gmt":"2024-06-15T11:08:13","slug":"gudiashvili-lado-vladimir-davidovich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/gudiashvili-lado-vladimir-davidovich\/","title":{"rendered":"Gudiashvili Lado (Vladimir) Davidovich"},"content":{"rendered":"\n<p>Gudiashvili Lado (Vladimir) Davidovich [ 1896.18(30).3, Tbilisi\u2014 1980) \u2014 gruzin rassomi va grafigi. Ijodi urta asrlar gruzin san&#8217;ati va 1920-y.lar G&#8217;arbiy Evropa san&#8217;atidagi oqimlar ta&#8217;sirida shakllangan. Xalq og&#8217;zaki ijodi (qo&#8217;shiqlar, afsonaviy va fantastik obrazlar)dan ilhomlangan: &#8220;Sosxali balig&#8217;i&#8221; (1920), &#8220;Serafi- ta sayri&#8221; (1940), &#8220;Pirosmanashvili o&#8217;limi&#8221; (1946), &#8220;tog&#8217;dagi uchrashuv&#8221; (1977) kabi yirik asarlar, &#8220;T. Tabidze va moviy otlar&#8221; (1918), &#8220;Eliso&#8221;, &#8220;V. Mayakovskiy va V. Gudiashvili Parijda&#8221; (1975) va b. portretlar, &#8220;antifashistik turkum&#8221; (1942) grafika turkumi muallifi, shu- ningdek, Sulxonsabo Orbeliani (1939, 1960), g. Chxikvadze (1946) va b.ning asar- larini bezagan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gudiashvili Lado (Vladimir) Davidovich [ 1896.18(30).3, Tbilisi\u2014 1980) \u2014 gruzin rassomi va grafigi. Ijodi urta asrlar gruzin san&#8217;ati va 1920-y.lar G&#8217;arbiy Evropa san&#8217;atidagi oqimlar ta&#8217;sirida shakllangan. Xalq og&#8217;zaki ijodi (qo&#8217;shiqlar, &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/gudiashvili-lado-vladimir-davidovich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210],"tags":[],"class_list":["post-134043","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-g-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/134043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=134043"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/134043\/revisions"}],"predecessor-version":[{"id":134055,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/134043\/revisions\/134055"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=134043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=134043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=134043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}