{"id":134377,"date":"2024-06-15T15:49:22","date_gmt":"2024-06-15T12:49:22","guid":{"rendered":"https:\/\/milliycha.uz\/?p=134377"},"modified":"2024-06-15T15:49:23","modified_gmt":"2024-06-15T12:49:23","slug":"geynsboro-gainsborough-tomas","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/geynsboro-gainsborough-tomas\/","title":{"rendered":"Geynsboro (Gainsborough) Tomas"},"content":{"rendered":"\n<p>Geynsboro (Gainsborough) Tomas (1727, Sadberi, Suffolk \u2014 1788.2.3, London) \u2014 ingliz rangtasvir rassomi. 18-a. ingliz portret maktabining yirik namoyandasi. G. ijodini manzaralar chi- zish b-n boshlagan (&#8220;Kornard o&#8217;rmoni&#8221;, 1748), dastlabki portretlari samimiy jozibasi b-n ko&#8217;zga tashlanadi. 70-y.lar- da A. van Deyk, A. Vatto ta&#8217;sirida etuk portretchi-rassom sifatida shakllangan. Qahramonlari boy ma&#8217;naviyati, ichki er- kinlik, favqulodda holatlari b-n ajra- lib turadi. Ayniqsa, o&#8217;smirlar va ayollar jozibali va nozik tasvirlangan (&#8220;ko&#8217;k kiyimli bola&#8221;, 1770; &#8220;Sara Siddons portreti&#8221;, 1784-85). Rasmlari orasida manzara va dehqonlar hayotidan ishlangan lavhalar muhim o&#8217;rin tutadi (&#8220;bozorga borayotgan arava&#8221;, 1786 va b.).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Geynsboro (Gainsborough) Tomas (1727, Sadberi, Suffolk \u2014 1788.2.3, London) \u2014 ingliz rangtasvir rassomi. 18-a. ingliz portret maktabining yirik namoyandasi. G. ijodini manzaralar chi- zish b-n boshlagan (&#8220;Kornard o&#8217;rmoni&#8221;, 1748), dastlabki &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/geynsboro-gainsborough-tomas\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210],"tags":[],"class_list":["post-134377","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-g-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/134377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=134377"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/134377\/revisions"}],"predecessor-version":[{"id":134394,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/134377\/revisions\/134394"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=134377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=134377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=134377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}