{"id":134532,"date":"2024-06-16T07:54:17","date_gmt":"2024-06-16T04:54:17","guid":{"rendered":"https:\/\/milliycha.uz\/?p=134532"},"modified":"2024-06-16T07:54:18","modified_gmt":"2024-06-16T04:54:18","slug":"gubskaya-vera-nikolaevna","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/gubskaya-vera-nikolaevna\/","title":{"rendered":"Gubskaya Vera Nikolaevna"},"content":{"rendered":"\n<p>Gubskaya Vera Nikolaevna [1906.26.8 (8.9), Kerch &#8211; 1953.19.10, Tosh- kent] -balet artisti, baletmeyster, pe- dagog. O&#8217;zbekistan xalq artisti (1944). Toshkent rus opera va balet teatri- da balet artisti (1930 &#8211; 35). 1939 &#8211; 42 y.lar Navoiy teatrida baletmeyster va pedagog. 1943 \u2014 48 y.lar Muqimiy, Toshsovet nomidagi va Yangiyo&#8217;l teatrla- rida bosh baletmeyster. Tamaraxonim nomidagi Respublika balet maktabida o&#8217;qituvchilik qilgan (1935 \u2014 41). G. in- son fe&#8217;l-atvori, his-tuyg&#8217;usi va fikrla- rini mumtoz raqs harakatlari orqali ishonarli tasvirlay olgan. Eng yaxshi partiyalari: Raymonda (&#8220;Raymonda&#8221;), Ki- tri (&#8220;don Kixot&#8221;), Zarema (&#8220;Boqchasaroy favvorasi&#8221;), Odetta \u2014 Odiliya (&#8220;Oqqush ko&#8217;li&#8221;) va b. O&#8217;zbek va mumtoz raqs shak- llarini uyg&#8217;unlashtiradigan &#8220;Bahor&#8221;, &#8220;Quvonch&#8221;, &#8220;paxta&#8221; va b. xoreografik miniatyuralarni, shuningdek, &#8220;Gulan- dom&#8221; (usta olim Komilov, Tamaraxonim, I. Arbatov b-n hamkorliqda), &#8220;Uyqudagi go&#8217;zal&#8221;, &#8220;baxt sohili&#8221; baletlarini, 20 dan ortiq musiqiy-dramatik spektak- llar raqsini sahnaga qo&#8217;ygan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gubskaya Vera Nikolaevna [1906.26.8 (8.9), Kerch &#8211; 1953.19.10, Tosh- kent] -balet artisti, baletmeyster, pe- dagog. O&#8217;zbekistan xalq artisti (1944). Toshkent rus opera va balet teatri- da balet artisti (1930 &#8211; &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/gubskaya-vera-nikolaevna\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210],"tags":[],"class_list":["post-134532","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-g-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/134532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=134532"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/134532\/revisions"}],"predecessor-version":[{"id":134537,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/134532\/revisions\/134537"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=134532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=134532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=134532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}