{"id":134608,"date":"2024-06-16T09:20:27","date_gmt":"2024-06-16T06:20:27","guid":{"rendered":"https:\/\/milliycha.uz\/?p=134608"},"modified":"2024-06-16T09:20:28","modified_gmt":"2024-06-16T06:20:28","slug":"gossi-gozzi-karlo","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/gossi-gozzi-karlo\/","title":{"rendered":"Gossi (Gozzi) Karlo"},"content":{"rendered":"\n

Gossi (Gozzi) Karlo (1720.13.12 -Venesiya \u2014 1806.4.4.) \u2014 italyan dra- maturgi. “Uch apelsin ishqida” (1761) pesasi b-n teatr ertakchiligi (fya- ba) janriga asos solgan. G. Ijtimoiy qarashlariga ko’ra konservator bo’lgan, hayotdagi hamma tartiblarning joy- joyida qolishini istagan, yangi ij- timoiy tamoyillarni yoqtirmagan, hatto frantsuz ma’rifatparvarlari- ning g’oyalarini ham qabul qilmagan. Shu b-n birga kiborlar tabaqasining nuqsonlarini ham tanqid qilgan. G. asar- lari xalq yumorlariga boy, xalq drama- lariga xos masxarabozlik xususiyatlari etakchilik qiladi (“ilon xotin”, 1762; “Zubayda”, 1763; “chin ma’shuqa”, 1771 va b.). “Baxtli gadolar” (1764) ertak-pe- sasidagi voqealar Samarqandda bo’lib o’tadi. Unda G.ning Odil shoh haqidagi g’oyalari aks etgan. “Malikai Turandot” (1762) da Sharq ayollarining ijtimoiy ahvoli tasvirlangan. Asar rus tilidan Cho’lpon (1926), Mannon Uyg’ur tarjima- sida (1928) sahnalashtirilgan. “Baxtli gadolar” Shukrullo tarjimasida nashr etilgan (1969).<\/p>\n","protected":false},"excerpt":{"rendered":"

Gossi (Gozzi) Karlo (1720.13.12 -Venesiya \u2014 1806.4.4.) \u2014 italyan dra- maturgi. “Uch apelsin ishqida” (1761) pesasi b-n teatr ertakchiligi (fya- ba) janriga asos solgan. G. Ijtimoiy qarashlariga ko’ra konservator bo’lgan, … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210],"tags":[],"class_list":["post-134608","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-g-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/134608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=134608"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/134608\/revisions"}],"predecessor-version":[{"id":134609,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/134608\/revisions\/134609"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=134608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=134608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=134608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}