{"id":135005,"date":"2024-06-16T11:57:49","date_gmt":"2024-06-16T08:57:49","guid":{"rendered":"https:\/\/milliycha.uz\/?p=135005"},"modified":"2024-06-16T11:58:06","modified_gmt":"2024-06-16T08:58:06","slug":"gogen-gauguin-pol-ejen-anri","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/gogen-gauguin-pol-ejen-anri\/","title":{"rendered":"Gogen (Gauguin) Pol Ejen Anri"},"content":{"rendered":"\n<p>Gogen (Gauguin) Pol Ejen Anri (1848.7.6, Parij \u2014 1903.8.5, Markiz orollari ) \u2014 frantsuz rassomi; post- impressionizmning yirik vakili. 1883 y.dan ijod b-n shug&#8217;ullangan. G. Yuno- niston, qad. Sharq mamlakatlari san&#8217;- ati, ibtidoiy madaniyati b-n qiziqdi. O&#8217;tmish hayot tarziga qiziqish uni sim- volizm b-n yaqinlashtirdi, o&#8217;ziga ergash- gan yoshlar b-n o&#8217;ziga xos yangi rangtasvir tizimi (&#8220;sintetizm&#8221;)ni yaratdi. G.ning &#8220;Arldagi qahvaxona&#8221; (1888), &#8220;rashk qilasanmi?&#8221;(1892), &#8220;Taiti Pastora- li&#8221; (1893), &#8220;qirolning xotini&#8221; (1896), &#8220;Meva terimi&#8221; (1899) va b. asarlarida notanish olamning ajoyibotlari, inson va tabiat uyg&#8217;unligi haqidagi orzulari- ning go&#8217;zal dunyosini yaratishga intiladi. G. ijodiga xos bo&#8217;lgan jo&#8217;shqin rang, bez- AK va mahobatlilikning uyg&#8217;unligi 20-a. boshida yashagan rassomlarning ijodiy izlanishlariga ta&#8217;sir ko&#8217;rsatdi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gogen (Gauguin) Pol Ejen Anri (1848.7.6, Parij \u2014 1903.8.5, Markiz orollari ) \u2014 frantsuz rassomi; post- impressionizmning yirik vakili. 1883 y.dan ijod b-n shug&#8217;ullangan. G. Yuno- niston, qad. Sharq mamlakatlari &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/gogen-gauguin-pol-ejen-anri\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210],"tags":[],"class_list":["post-135005","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-g-harfi-2","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/135005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=135005"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/135005\/revisions"}],"predecessor-version":[{"id":135021,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/135005\/revisions\/135021"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=135005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=135005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=135005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}