BAKIROV ABBOS (1910.16.5 – Andijon \u2014 1974.29.1) \u2014 aktyor va rejissyor. O’zbekiston xalq artisti (1939). Faoliyatini 1931 yil I. Oxunboboyev nomidagi Andijon viloyat musiqali drama va komediya teatrida aktyor sifatida boshlagan. Mahkam polvon (“Bog’bon qiz”), Qosim dehqon (“Ontarish”), Muslimboy (“Halima”) va boshqalar uning ilk obrazlaridir. Rustam (“Rustam”), Ferdinand (“Makr va muhabbat”), G’ofir (“Boy ila xizmatchi”), Romeo (“Romeo va Juletta”) kabi rollarida jo’shqin qalbli, shijoatkor qaxramonlar tarzida namoyon bo’lgan. Bakirov tabiatan qat’iyatli, intiluvchan kishi bo’lgani holda obrazlarga xam shu xislatlarni singdirishga harakat qilgan. Birinchi o’zbek ovozli filmi \u2014 “Azamat”dagi Azamat roli bilan u kino faoliyatini boshladi. Eng yaxshi rollari: Amir Olimxon (“Amirlikning yemirilishi”), Sulton Mahmud (“Abu Ali ibn Sino”), Abbos (“Ulug’bek yulduzi”), A’zamxon (“Ikki dil dostoni”), Yusufbek hoji (“O’tgan kunlar”) va boshqalar. Insonning shaxsiy kechinmasi bilan e’tiqodi, dunyoqarashini mushtarak tarzda ko’rsatishda, ayniqsa, Yusufbek hoji roli Bakirovni realistik san’atning moxir ustasi ekanini ko’rsatdi. Bakirov ijobiy va salbiy rollarni bir xil mahorat bilan o’ynagan. U sahnada tana, qo’l harakatlaridan, ayniqsa, yuz, ko’z va ohangdan ustalik bilan foydalangan. Rejissyor sifatida 40 dan ortiq spektakl sahnalashtirdi. Xalq tarixi, urfodatlarini yaxshi bilganligi tufayli Bakirov milliy asarlarni alohida muvaffaqiyat bilan sahnalashtirgan: “Alisher Navoiy”, “Shohi so’zana”, “Og’riq tishlar”, “Muqimiy”, “Xolisxon”, “Nurxon”, “Nodira”, “Layli va Majnun” va boshqalar shular jumlasidan. Hamza nomidagi O’zbekiston Davlat mukofoti laureati (1970).<\/p>\n","protected":false},"excerpt":{"rendered":"
BAKIROV ABBOS (1910.16.5 – Andijon \u2014 1974.29.1) \u2014 aktyor va rejissyor. O’zbekiston xalq artisti (1939). Faoliyatini 1931 yil I. Oxunboboyev nomidagi Andijon viloyat musiqali drama va komediya teatrida aktyor sifatida … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":9243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114],"tags":[],"class_list":["post-14346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/14346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=14346"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/14346\/revisions"}],"predecessor-version":[{"id":14354,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/14346\/revisions\/14354"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/9243"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=14346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=14346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=14346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}