{"id":16190,"date":"2022-01-29T10:13:58","date_gmt":"2022-01-29T07:13:58","guid":{"rendered":"https:\/\/milliycha.uz\/?p=16190"},"modified":"2022-01-29T10:14:09","modified_gmt":"2022-01-29T07:14:09","slug":"benyaminov-sason-gavrilovich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/benyaminov-sason-gavrilovich\/","title":{"rendered":"BENYAMINOV SASON GAVRILOVICH"},"content":{"rendered":"\n

BENYAMINOV SASON GAVRILOVICH (1929.23.4, Buxoro) \u2014 opera xonandasi (lirik bariton),O’zbekiston xalq artisti (1973). Toshkent konservatoriyasini tugatgach (1954), Navoiy nomidagi opera va balet teatri yakkaxoni (1962-85). 1960\u2014 79 yillar Toshkent konservatoriyasida, 1979 yildan Toshkent teatr va rassomlik san’ati institutida pedagog va xonandalik (an’anaviy ijrochilik) kafedrasi mudiri (198086). O’zbek, G’arbiy Yevropa, rus kompozitorlari operalarida 40 dan ortiq partiya ijro etgan: Bo’ron (M. Ashrafiy, S. Vasilenko, “Bo’ron”), Hamza (S. Boboyev, “Hamza”), Shoh Bahrom, Nu’mon (M. Ashrafiy, “Dilorom”), Hoji darg’a (S. Yudakov, “Maysaraning ishi”), Robert, Onegin (P. Chaykovskiy, “Lolanta”, “Yevgeniy Onegin”), Figaro (J. Rossini, “Sevilya sartaroshi”) va boshqalar. Repertuaridan o’zbek kompozitorlarining asarlari o’rin olgan. Ijrochilik uslubida milliy va G’arb opera xonandalik an’analari uzviy ifodasini topgan. 1995 yildan Isroilda yashaydi.<\/p>\n","protected":false},"excerpt":{"rendered":"

BENYAMINOV SASON GAVRILOVICH (1929.23.4, Buxoro) \u2014 opera xonandasi (lirik bariton),O’zbekiston xalq artisti (1973). Toshkent konservatoriyasini tugatgach (1954), Navoiy nomidagi opera va balet teatri yakkaxoni (1962-85). 1960\u2014 79 yillar Toshkent konservatoriyasida, … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":15012,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114],"tags":[],"class_list":["post-16190","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/16190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=16190"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/16190\/revisions"}],"predecessor-version":[{"id":16195,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/16190\/revisions\/16195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/15012"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=16190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=16190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=16190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}