{"id":17776,"date":"2022-02-19T16:56:13","date_gmt":"2022-02-19T13:56:13","guid":{"rendered":"https:\/\/milliycha.uz\/?p=17776"},"modified":"2022-02-19T16:56:14","modified_gmt":"2022-02-19T13:56:14","slug":"bozgoy","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/bozgoy\/","title":{"rendered":"BOZGO&#8217;Y"},"content":{"rendered":"\n<p>BOZGO&#8217;Y (fors\u2014qayta aytish, takrorlash) \u2014 an&#8217;anaviy cholg&#8217;u musiqa asarlari shaklining o&#8217;zgarmay, muntazam takrorlanuvchi kuy tuzilmasi. Cholg&#8217;u asarning gavdalanishida xona (o&#8217;zgaruvchan kuy tuzilmasi) bilan almashinuvi jarayonida Bozgo&#8217;y muhim shakllantiruvchi vosita bo&#8217;lib xizmat qiladi: xonalarda ohanglar tobora rivojlanib, kengayib Bozgo&#8217;ylarga ulanadi. Kuy rivojida xona va Bozgo&#8217;ylar o&#8217;ziga xos vazifalarni o&#8217;tab, bir-birini to&#8217;ldirib boradi: xonalar rivoji jarayonida kuy ko&#8217;lami kengayib, mazmunan boyib boradi. Bozgo&#8217;ylar esa naqarot singari muayyan musiqiy fikrni ta&#8217;kidlaydi. Xona \u2014 Bozgo&#8217;y munosabatlari ma&#8217;lum darajada Yevropa xalqlari musiqasidagi Rondo shakliga o&#8217;xshashdir. Bozgo&#8217;y qonuniyatlarini o&#8217;zbek mumtoz cholg&#8217;u kuylari ashula yo&#8217;llari (maqom taronalari), yaqin o&#8217;tmish va zamonaviy bastakorlik ijodiyotida kuzatish mumkin. Ayrim kompozitor (Ik. Akbarov, F. Yanov Yanovskiy, M. Tojiyev, M. Mahmudov, M. Bafoyev)lar ham mazkur qonuniyatlardan ijodiy foydalanishgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BOZGO&#8217;Y (fors\u2014qayta aytish, takrorlash) \u2014 an&#8217;anaviy cholg&#8217;u musiqa asarlari shaklining o&#8217;zgarmay, muntazam takrorlanuvchi kuy tuzilmasi. Cholg&#8217;u asarning gavdalanishida xona (o&#8217;zgaruvchan kuy tuzilmasi) bilan almashinuvi jarayonida Bozgo&#8217;y muhim shakllantiruvchi vosita bo&#8217;lib &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/bozgoy\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":15012,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114],"tags":[],"class_list":["post-17776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/17776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=17776"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/17776\/revisions"}],"predecessor-version":[{"id":17783,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/17776\/revisions\/17783"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/15012"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=17776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=17776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=17776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}