{"id":19279,"date":"2022-02-26T10:55:09","date_gmt":"2022-02-26T07:55:09","guid":{"rendered":"https:\/\/milliycha.uz\/?p=19279"},"modified":"2022-02-26T10:55:11","modified_gmt":"2022-02-26T07:55:11","slug":"boqonboyev-jomart","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/boqonboyev-jomart\/","title":{"rendered":"BO&#8217;QO&#8217;NBOYEV JO&#8217;MART"},"content":{"rendered":"\n<p>BO&#8217;QO&#8217;NBOYEV JO&#8217;MART (1910-1944) qirg&#8217;iz shoiri, dramaturg. Qirg&#8217;iziston Yozuvchilar uyushmasi raisi (1938-44). Qirg&#8217;iz dostonchiligi va dramaturgiyasida sezilarli iz qoldirgan, uning dastlabki namunalarini yaratgan. Bo\u2019qo\u2019nboyev asarlarida qirg&#8217;iz xalqi tarixi, 2-jahon urushidagi qahramonligi, mamlakat ichkarisidagi fidokorona mehnati tasvirlanadi. &#8220;Chu dalasi&#8221; (1930), &#8220;Turksib&#8221; (1932), &#8220;Gul turmush&#8221; (1939), &#8220;Ajal va nomus&#8221; asarlari qirg&#8217;iz she&#8217;riyatining sara asarlaridan hisoblanadi. &#8220;Mening Farg&#8217;onam&#8221; asarida tarixiy qismati, turmush tarzi bir-biriga o&#8217;xshash o&#8217;zbek va qirg&#8217;iz xalqlari o&#8217;rtasidagi qardoshlik tarannum etiladi. &#8220;Oltin qiz&#8221; (1937), &#8220;Qarg&#8217;asha&#8221; (1937) dramalari, &#8220;Oychurek&#8221; (1937), &#8220;To&#8217;qtagul&#8221; (1939) opera librettolari bilan qirg&#8217;iz teatr san&#8217;ati taraqqiyotiga hissa qo&#8217;shgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BO&#8217;QO&#8217;NBOYEV JO&#8217;MART (1910-1944) qirg&#8217;iz shoiri, dramaturg. Qirg&#8217;iziston Yozuvchilar uyushmasi raisi (1938-44). Qirg&#8217;iz dostonchiligi va dramaturgiyasida sezilarli iz qoldirgan, uning dastlabki namunalarini yaratgan. Bo\u2019qo\u2019nboyev asarlarida qirg&#8217;iz xalqi tarixi, 2-jahon urushidagi qahramonligi, &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/boqonboyev-jomart\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114],"tags":[],"class_list":["post-19279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/19279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=19279"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/19279\/revisions"}],"predecessor-version":[{"id":19286,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/19279\/revisions\/19286"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=19279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=19279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=19279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}