{"id":24193,"date":"2022-04-15T14:00:07","date_gmt":"2022-04-15T11:00:07","guid":{"rendered":"https:\/\/milliycha.uz\/?p=24193"},"modified":"2022-04-15T14:00:08","modified_gmt":"2022-04-15T11:00:08","slug":"dvorjak-dvorak-antonin","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/dvorjak-dvorak-antonin\/","title":{"rendered":"DVORJAK (DVORAK) ANTONIN"},"content":{"rendered":"\n<p>DVORJAK (DVORAK) ANTONIN (1841.8.9, Praga yaqinidagi Nelagozeves qishlog&#8217;i \u2014 1904.1.5, Praga) \u2014 Chex kompozitori, milliy kompozitorlik maktabi asoschilaridan. Chexiya fan va san&#8217;at akademiyasining a&#8217;zosi (1890), Praga konservatoriyasining professor (1891) va direktori (1901 yildan). Nyu-Yorkdagi milliy konservatoriya direktori (1892-95). Dvorjak merosida 10 opera (1870-1903), 9 simfoniya (1865\u2014 93), simfonik poemalar, bir nechta kamer va xor asarlari mavjud. Vokalsimfonik ijodida &#8220;Avliyo Lyudmila&#8221; oratoriyasi (1886), &#8220;Madhiya&#8221; kantatasi (1873) alohida o&#8217;rin tutadi. &#8220;Yangi dunyodan&#8221; nomli 9-simfoniyasi (1893) da Dvorjak Yevropa simfonizm&#8221; an&#8217;analarini yangi \u2014 Chex va Amerika xalqlari kuy va usullari bilan boyitdi. Dvorjak ijodi Chex mumtoz kompozitorlik ijodiyotining eng yuqori cho&#8217;qqisidir. Yorqin milliy ruh bilan sug&#8217;orilgan, xilma-xil kuy va ritmlarga boy Dvorjak musiqasi o&#8217;zining hayotbaxshligi, romantik jo&#8217;shqinligi bilan ajralib turadi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DVORJAK (DVORAK) ANTONIN (1841.8.9, Praga yaqinidagi Nelagozeves qishlog&#8217;i \u2014 1904.1.5, Praga) \u2014 Chex kompozitori, milliy kompozitorlik maktabi asoschilaridan. Chexiya fan va san&#8217;at akademiyasining a&#8217;zosi (1890), Praga konservatoriyasining professor (1891) va &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/dvorjak-dvorak-antonin\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116],"tags":[],"class_list":["post-24193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-d-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/24193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=24193"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/24193\/revisions"}],"predecessor-version":[{"id":24200,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/24193\/revisions\/24200"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=24193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=24193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=24193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}