{"id":24363,"date":"2022-04-15T20:38:26","date_gmt":"2022-04-15T17:38:26","guid":{"rendered":"https:\/\/milliycha.uz\/?p=24363"},"modified":"2022-04-15T20:38:27","modified_gmt":"2022-04-15T17:38:27","slug":"dega-degas-iler-jermen-edgar","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/dega-degas-iler-jermen-edgar\/","title":{"rendered":"DEGA (DEGAS) ILER JERMEN EDGAR"},"content":{"rendered":"\n<p>DEGA (DEGAS) ILER JERMEN EDGAR (1834.19.7 &#8211; Parij &#8211; 1917.27.9) \u2013frantsuz rassomi va haykaltaroshi, impressionizmning yetuk namoyandasi. Parijdagi nafis san&#8217;at maktabida ta&#8217;lim olgan (1855-56), Italiyada yashab ilk uyg&#8217;onish davri san&#8217;atini o&#8217;rgangan (1854-59). Dega hayotni, zamonaviy shaharni va uning ko&#8217;chalari, maydonlarini, odamlari (holati, kayfiyatlari) ni o&#8217;ta sezgirlik bilan butun go&#8217;zalligi va tabiiyligini haqqoniy aks ettirgan. Dega asarlari nozik va aniq rasmi, shakllarni kutilmagan tarzda berilishi bilan ajralib turadi (&#8220;Qahvaxona ayvonidagi ayollar&#8221;, 1877; &#8220;Yulduz&#8221;, 1878; &#8220;moviy raqqosalar&#8221;, 1880\u2014 90 va boshqalar). 1880-yillar oxiridan haykaltaroshlikda ijod qilgan, raqqosalar, cho&#8217;milayotgan ayollar, otlar va boshqa shakllarda lahzalik harakat, holatni nafis ifodalashga erishgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DEGA (DEGAS) ILER JERMEN EDGAR (1834.19.7 &#8211; Parij &#8211; 1917.27.9) \u2013frantsuz rassomi va haykaltaroshi, impressionizmning yetuk namoyandasi. Parijdagi nafis san&#8217;at maktabida ta&#8217;lim olgan (1855-56), Italiyada yashab ilk uyg&#8217;onish davri san&#8217;atini &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/dega-degas-iler-jermen-edgar\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116],"tags":[],"class_list":["post-24363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-d-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/24363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=24363"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/24363\/revisions"}],"predecessor-version":[{"id":24365,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/24363\/revisions\/24365"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=24363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=24363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=24363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}