{"id":24676,"date":"2022-04-16T15:39:41","date_gmt":"2022-04-16T12:39:41","guid":{"rendered":"https:\/\/milliycha.uz\/?p=24676"},"modified":"2022-04-16T15:39:41","modified_gmt":"2022-04-16T12:39:41","slug":"delakrua-delacroix-ferdinand-viktor-ejen","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/delakrua-delacroix-ferdinand-viktor-ejen\/","title":{"rendered":"DELAKRUA (DELACROIX) FERDINAND VIKTOR EJEN"},"content":{"rendered":"\n<p>DELAKRUA (DELACROIX) FERDINAND VIKTOR EJEN (1798.26.4, Sen-Moris, Parij yaqinida \u2014 1863.13.8, Parij) \u2014 frantsuz rassomi, progressiv romantizmning yirik namoyandasi. Delakrua ijodida yangi usullarni dadil qo&#8217;llab to&#8217;yingan koloritga, dadil bo&#8217;yoq surtmasi, yorqin nursoya keskinligiga ega bo&#8217;lgan rangtasvir tizimini yaratdi; asarlarida erksevarlik g&#8217;oyalari bilan yo&#8217;g&#8217;rilgan faol harakat va jo&#8217;shqin ruhni aks ettirdi (&#8220;Barrikadada Ozodlik&#8221;, 1830). Delakruaning boy ijodiy fantaziyasi, ehtirosi Sharq mavzuidagi tarixiy va klassik xamda zamonaviy adabiy asarlarga ishlagan kartinalarida aniq namoyon bo&#8217;ldi (&#8220;jazoirlik ayollar&#8221;, 1833-34; &#8220;Marokkodagi yahudiycha to&#8217;y&#8221;, 1839 va boshqalar).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DELAKRUA (DELACROIX) FERDINAND VIKTOR EJEN (1798.26.4, Sen-Moris, Parij yaqinida \u2014 1863.13.8, Parij) \u2014 frantsuz rassomi, progressiv romantizmning yirik namoyandasi. Delakrua ijodida yangi usullarni dadil qo&#8217;llab to&#8217;yingan koloritga, dadil bo&#8217;yoq surtmasi, &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/delakrua-delacroix-ferdinand-viktor-ejen\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116],"tags":[],"class_list":["post-24676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-d-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/24676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=24676"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/24676\/revisions"}],"predecessor-version":[{"id":24682,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/24676\/revisions\/24682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=24676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=24676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=24676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}