{"id":24864,"date":"2022-04-19T09:50:10","date_gmt":"2022-04-19T06:50:10","guid":{"rendered":"https:\/\/milliycha.uz\/?p=24864"},"modified":"2022-04-19T09:50:11","modified_gmt":"2022-04-19T06:50:11","slug":"donatello","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/donatello\/","title":{"rendered":"DONATELLO"},"content":{"rendered":"\n<p>DONATELLO (Donatello, asli Donato Di Nikkolo Di Betto bardi, taxminan 1386 \u2014 Florentsiya \u2014 1466.13.12) \u2014 italiyalik haykaltarosh, Italiya Uyg&#8217;onish davri haykaltaroshligi asoschilaridan. Donatello ijodida Uyg\u2019onish davriga xos bo&#8217;lgan voqelikni tasvirlashda yangi, realistik tasvir vositalarini izlash, insonga va uning ruhiy olamiga e&#8217;tibor o&#8217;z aksini topgan. Florentsiya sobori yon peshtoqlari uchun ishlangan avliyolar haykallari (1406\u2014 08)da gotikaga xos xususiyatlar saqlangan. Avliyo Georgiy haykali (marmar, 1416)da insonparvarlik va vatanparvarlik g&#8217;oyalari ko&#8217;tarinki ruxda aks ettirilgan. Donatello bo&#8217;rtma tasvir (relef)da chiziq perspektiva imkoniyatlaridan foydalanib o&#8217;ziga xos nafis relef san&#8217;atini yaratishga muyassar bo&#8217;lgan (Paduyadagi Sant-Antonio cherkovi mehrobiga ishlangan relef, 1446\u2014 50), antik davr shakllarini Uyg&#8217;onish davriga moslashtirib xaykaltaroshlik namunalarini (&#8220;David&#8221;, bronza, 1430), Uyg&#8217;onish davrining birinchi dunyoviy haykalini (&#8220;Gattamelate&#8221;, bronza, marmar, 1447-53 va boshqalar) yaratgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DONATELLO (Donatello, asli Donato Di Nikkolo Di Betto bardi, taxminan 1386 \u2014 Florentsiya \u2014 1466.13.12) \u2014 italiyalik haykaltarosh, Italiya Uyg&#8217;onish davri haykaltaroshligi asoschilaridan. Donatello ijodida Uyg\u2019onish davriga xos bo&#8217;lgan voqelikni &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/donatello\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116],"tags":[],"class_list":["post-24864","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-d-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/24864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=24864"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/24864\/revisions"}],"predecessor-version":[{"id":24865,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/24864\/revisions\/24865"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=24864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=24864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=24864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}