ERGASHEV ANVAR YULDOSHEVICH (1954. 19.4, Dushanba) \u2014 kompozitor, dirijyor, O’zbekiston Respublikasi san’at arbobi (2002). Toshkent konservatoriyasini fortepiano (1977), kompozisiya (1986) va operasimfonik dirijyorligi (1994) ixtisosliklari bo’yicha tutatgan. Farg’ona musiqa bilim yurti (1977-80), Toshkentdagi Glier nomidagi maxsus musiqa maktabi (1980-86) o’qituvchisi. Madaniyat ishlari vazirligida mas’ul xodim (1986\u2014 88), Toshkent madaniyat instituti (1988\u2014 94)da pedagog, Navoiy teatrida dirijyor (1993 yildan), badiiy rahbar (2002 yildan), O’zbekiston milliy simfonik orkestrining bosh dirijyori (1998 yildan). “Humo” baleti, 2 fortepiano kontserti, violonchel va orkestr uchun poema, fortepiano triosi, skripka va fortepiano uchun Sonata, klarnet va fortepiano uchun “sharqona kaprichchio” kabi simfonik va kamer asarlar, shuningdek, qator spektakllar uchun musiqa yaratgan. Ayniqsa, Ergashevning kino va telefilmlarga yozgan musiqalari (“3 qirol jangi”, “Sherali va Oybarchin”, “tabib”, “Domla”, “quyoshi botmaydigan yurt”, “Sharif va Ma’rif”, “aka Sharif Toshkentda”, “tilla bola”, “Yulduzimni ber, osmon” va boshqalar), musiqali ertak (“balli uloqcha”, “yarashyarash”, “12 oy”, “qor malikasi”), musiqali komediya (“anqovlar chayqovi”, “Mittivoy”, “O’ldir meni azizim” va boshqalar)lari ommalashgan.<\/p>\n","protected":false},"excerpt":{"rendered":"
ERGASHEV ANVAR YULDOSHEVICH (1954. 19.4, Dushanba) \u2014 kompozitor, dirijyor, O’zbekiston Respublikasi san’at arbobi (2002). Toshkent konservatoriyasini fortepiano (1977), kompozisiya (1986) va operasimfonik dirijyorligi (1994) ixtisosliklari bo’yicha tutatgan. Farg’ona musiqa bilim … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[189],"tags":[],"class_list":["post-29240","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-e-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/29240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=29240"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/29240\/revisions"}],"predecessor-version":[{"id":29244,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/29240\/revisions\/29244"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=29240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=29240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=29240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}