Biz: “mumtoz musiqa”, “mumtoz adabiyot” va hattoki “mumtoz djaz” degan ibora-atamalarni ko’p marotaba eshitganmiz. Nimani bildiradi bu g’aroyib kalimalar? Yevropada ham, gohida o’zimizda ham “klassika” tarzida qo’llanadigan “mumtoz”imiz lotincha “klassikus” \u2014 “namunali” so’zidan kelib chiqqan ekan. Mumtoz musiqa asari \u2014 bu, o’tgan zamonlarda bastalangan, ammo hozir ham yashab kelayotgan asar. Bunday musiqa \u2014 tahlid va muqoyasa uchun namuna. Boshqacha aytganda: zamon sinovlariga dosh bergan va kishilar hanuzgacha xush tutadigan narsa \u2014 klassika. Hozirgi musiqalardan biron nima klassika bo’la oladimi, ya’ni kelajakda ham yashab qoladimi, \u2014 bu hali noma’lum, bu xususda faqat taxminga borish mumkin xolos. Klassiklar deb, odatda, o’tmish bastakorlarining eng a’lolarini atashadi. Mumtoz musiqa asarlari, mumtoz musiqa asboblari, mumtoz djaz xususida so’z yuritiladi. Mumtoz musiqa ummonida alohida “mumtoziyat oroli” \u2014 Vena klassiklari bor. Bilganingizdek, Avstriya Respublikasining poytaxti \u2014 Vena shahrida deyarli bir zamonda: XVIII asrning oxirlari \u2014 XIX asrning boshlarida yashab o’tgan kompozitorlarni Vena klassiklari deb hisoblash odat tusiga kirgan. Mana, ularning ismi shariflari: Gaydn, Mosart, Betxoven. Ularning dohiyona musiqalari bugun ham yangramoqda va hali ona sayyoramizda hayot mavjud ekan, muqarrar jaranglayveradi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Biz: “mumtoz musiqa”, “mumtoz adabiyot” va hattoki “mumtoz djaz” degan ibora-atamalarni ko’p marotaba eshitganmiz. Nimani bildiradi bu g’aroyib kalimalar? Yevropada ham, gohida o’zimizda ham “klassika” tarzida qo’llanadigan “mumtoz”imiz lotincha “klassikus” … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-2960","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bilasizmi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/2960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=2960"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/2960\/revisions"}],"predecessor-version":[{"id":2961,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/2960\/revisions\/2961"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/657"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=2960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=2960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=2960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}