{"id":30191,"date":"2022-09-15T17:26:16","date_gmt":"2022-09-15T14:26:16","guid":{"rendered":"https:\/\/milliycha.uz\/?p=30191"},"modified":"2022-09-15T17:26:17","modified_gmt":"2022-09-15T14:26:17","slug":"yefremova-klavdiya-grigorevna","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/yefremova-klavdiya-grigorevna\/","title":{"rendered":"YEFREMOVA KLAVDIYA GRIGOREVNA"},"content":{"rendered":"\n<p>YEFREMOVA KLAVDIYA GRIGOREVNA (1916.7.11, Perovsk, hozirgi Qizilo&#8217;rda \u2014 2000.12.7, Toshkent) \u2014 O&#8217;zbekiston xalq artisti (1959). Qirg&#8217;izistonda xizmat ko&#8217;rsatgan artist (1943). 1936\u2014 41 yillarda Qirg&#8217;iziston yosh tomoshabinlar teatrida, 1941-43 yillarda Prjevalsk teatrida, 1943-47 va 1951-52 yillarda Frunze (hozirgi Bishkek) drama teatrida, 1952-2000 yillar O&#8217;zbekiston akademik rus drama teatrida aktrisa. Lirik-dramatik rollar ijrochisi. Obrazlari ta&#8217;sirchan, sodda va samimiyligi bilan ajralib turadi. Eng yaxshi rollari: marta (&#8220;Baliqchining o&#8217;g&#8217;li&#8221;), Lyusya, Tanya, Valya (&#8220;Sargardonlik yillari&#8221;, &#8220;Tanya&#8221;, &#8220;Irkutsk voqeasi&#8221;), Xolisxon (&#8220;paranji sirlari&#8221;), Chjou fan-i (&#8220;tayfun&#8221;), Alina (&#8220;qashshoq qalb egasi&#8221;), Kolsova (&#8220;Favqulodda elchi&#8221;), Eleyn Bendshal (&#8220;Qonli sarob&#8221;), Mariya (&#8220;Mariya&#8221;), Matisa (&#8220;uchovlon&#8221;) va boshqalar.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>YEFREMOVA KLAVDIYA GRIGOREVNA (1916.7.11, Perovsk, hozirgi Qizilo&#8217;rda \u2014 2000.12.7, Toshkent) \u2014 O&#8217;zbekiston xalq artisti (1959). Qirg&#8217;izistonda xizmat ko&#8217;rsatgan artist (1943). 1936\u2014 41 yillarda Qirg&#8217;iziston yosh tomoshabinlar teatrida, 1941-43 yillarda Prjevalsk &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/yefremova-klavdiya-grigorevna\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-30191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ye-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/30191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=30191"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/30191\/revisions"}],"predecessor-version":[{"id":30194,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/30191\/revisions\/30194"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=30191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=30191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=30191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}