{"id":3024,"date":"2021-10-06T18:15:47","date_gmt":"2021-10-06T15:15:47","guid":{"rendered":"https:\/\/milliycha.uz\/?p=3024"},"modified":"2021-10-06T18:15:49","modified_gmt":"2021-10-06T15:15:49","slug":"qaysi-musiqa-asbobi-barcha-musiqa-asboblarining-bobokaloni-sanaladi","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/qaysi-musiqa-asbobi-barcha-musiqa-asboblarining-bobokaloni-sanaladi\/","title":{"rendered":"Qaysi musiqa asbobi barcha musiqa asboblarining bobokaloni sanaladi?"},"content":{"rendered":"\n<p>Eng qadimiy musiqa asboblaridan biri \u2014 Arfa. Uning tarixi bir necha asrlarning boshini oqartirdi. Arfa hali bashariyat sivilizasiyasining tongidayoq paydo bo&#8217;ldi va birinchi torli musiqa asbobiga aylandi. Yoy shakliga ega bo&#8217;lgan ushbu musiqa asbobini qadimgi Misr va Yunonistonda yaxshi ko&#8217;rishardi. O&#8217;rta asrda Arfa Yevropada nihoyatda keng tarqaladi. Arfaning tasviri hattoki Irlandiyaning milliy gerbiga kiritilgan. Bora-bora u kibor musiqa asbobiga aylana boshladi. Arfani oltin, nodir toshlar bilan to&#8217;ldirib bezatardilar. Uning latif sohirona ovozi shoirlarni asir etgan. XIX asrda &#8220;botartib jamiyat&#8221; dan bo&#8217;lmish har bir yaxshi tarbiya ko&#8217;rgan qiz bola arfa chalishni bilmog&#8217;i shart edi. Endilikda arfa, albatta, obdon o&#8217;zgargan va o&#8217;zining o&#8217;rta asrlardagi ajdodlaridan ancha-muncha farq qiladi. Arfada nafis ko&#8217;rinishdagi o&#8217;ymalar bilan ziynatlangan uchburchak metall asosga tarang tortilgan 45-47 ta tor mavjud. Uning yetti xarragi-pedali yordamida jaranglashi maftunkor musiqa hosil qilish mumkin.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eng qadimiy musiqa asboblaridan biri \u2014 Arfa. Uning tarixi bir necha asrlarning boshini oqartirdi. Arfa hali bashariyat sivilizasiyasining tongidayoq paydo bo&#8217;ldi va birinchi torli musiqa asbobiga aylandi. Yoy shakliga ega &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/qaysi-musiqa-asbobi-barcha-musiqa-asboblarining-bobokaloni-sanaladi\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-3024","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bilasizmi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/3024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=3024"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/3024\/revisions"}],"predecessor-version":[{"id":3025,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/3024\/revisions\/3025"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/657"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=3024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=3024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=3024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}