{"id":31878,"date":"2022-10-21T16:29:24","date_gmt":"2022-10-21T13:29:24","guid":{"rendered":"https:\/\/milliycha.uz\/?p=31878"},"modified":"2022-10-21T16:29:26","modified_gmt":"2022-10-21T13:29:26","slug":"folklorizm","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/folklorizm\/","title":{"rendered":"FOLKLORIZM"},"content":{"rendered":"\n<p>FOLKLORIZM \u2014 yozma adabiyotda qo&#8217;llangan og&#8217;zaki poetik ijod materiali. Ilmiy adabiyotlarda Folklorizm &#8220;ikkinchi shakl&#8221; (K.Chistov) atamasi bilan ham yuritiladi. Yozma adabiyotda muallif yoki personaj nutqida qo&#8217;llangan xalq maqollari, matal hamda iboralar Oddiy Folklorizm sanaladi. Ijodkorning folklorga xos tasvir uslubiga ergashishi, folklor materialidan o&#8217;z asarida foydalanishi, folklorga mansub syujet yoki motivni asariga olib kirishi va boshqa murakkab Folklorizm hisoblanadi. Asqad Muxtorning &#8220;Chinor&#8221;, Turob To&#8217;laning &#8220;Suyuk momo&#8221;, Erkin Vohidovning &#8220;Ruxlar isyoni&#8221;, Abdulla Oripovning &#8220;Kasam dara&#8221;, O&#8217;tkir Hoshimovning &#8220;parvona kuni&#8221; kabi asarlarida Folklorizmning yorqin namunalari bor. Folklorizmlar madaniy hayot rivojining hozirgi bosqichida adabiyot va san&#8217;atning g&#8217;oyaviybadiiy jihatdan uzluksiz taraqqiyotini ta&#8217;minlovchi bosh omilga aylandi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FOLKLORIZM \u2014 yozma adabiyotda qo&#8217;llangan og&#8217;zaki poetik ijod materiali. Ilmiy adabiyotlarda Folklorizm &#8220;ikkinchi shakl&#8221; (K.Chistov) atamasi bilan ham yuritiladi. Yozma adabiyotda muallif yoki personaj nutqida qo&#8217;llangan xalq maqollari, matal hamda &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/folklorizm\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[200],"tags":[],"class_list":["post-31878","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-f-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/31878","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=31878"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/31878\/revisions"}],"predecessor-version":[{"id":31880,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/31878\/revisions\/31880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=31878"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=31878"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=31878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}