Onore de Balzak (1799-1850) \u2014 nainki XIX asrning eng mo\u2019tabar romannavislaridan biri. U \u2014 endilikda ushbu e’tirof bobida hamma yakdildir \u2014 asr romannavislari orasida eng buyugidir. Balzak butun boshli bir olam yaratdi, va bu olam bir vaqtning o’zida uning zamonasiga ham va umuman butun davrlarga ham tegishli sanaladi. Balzak ijodining eng muhim xususiyati shundaki, u nafaqat bizga shunchdki ko’psonli romanlar emas, balki butun boshli jamiyatning tarixini qoldiroldi; asarlarining qahramonlari \u2014 ishboshilar, shifokorlar, sudyalar, davlat arboblari, savdogarlar, sudxo’rlar, oqsuyak xonimlar, fohishalar \u2014 bir asardan boshqasiga ko’chib yuraveradi, bu narsa Balzak yaratgan olamga barqarorlik va ishonchlilik baxsh etadi. O’zining “Inson komediyasi” dek muhtasham epopeyasida Balzak tasavvuri bilan yaratilgan olamning yaxlitligi va birligini mustahkamlaydi va shu asnoda ijodining bag’ri butunligini ta’minlaydi. Yagona tizimga solingan ko’psonli romanlarini u o’z epopeyasi tasarrufiga kiritdi. “Inson komediyasi” \u2014 bu, XIX asrning birinchi yarmidagi fransuz jamiyatning tarixi. “Gorio ota”, “Xolavachcha betta”, “Yevgeniya Grande” \u2014 epopeyaning umurtqa romanlari bo’lib, ular haqiqiy ma’nodagi adabiy durdonalardir.<\/p>\n","protected":false},"excerpt":{"rendered":"
Onore de Balzak (1799-1850) \u2014 nainki XIX asrning eng mo\u2019tabar romannavislaridan biri. U \u2014 endilikda ushbu e’tirof bobida hamma yakdildir \u2014 asr romannavislari orasida eng buyugidir. Balzak butun boshli bir … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-3316","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bilasizmi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/3316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=3316"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/3316\/revisions"}],"predecessor-version":[{"id":3317,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/3316\/revisions\/3317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/657"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=3316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=3316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=3316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}