{"id":3333,"date":"2021-10-09T13:16:50","date_gmt":"2021-10-09T10:16:50","guid":{"rendered":"https:\/\/milliycha.uz\/?p=3333"},"modified":"2021-10-09T13:17:01","modified_gmt":"2021-10-09T10:17:01","slug":"eng-yangi-jahon-adabiyotining-klassigi-kim","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/eng-yangi-jahon-adabiyotining-klassigi-kim\/","title":{"rendered":"Eng yangi jahon adabiyotining klassigi kim?"},"content":{"rendered":"\n<p>Chingiz Aytmatov (1928) ning eng a&#8217;lo asarlari allaqachon eng yangi jahon adabiyoti klassikasining ajralmas qismiga aylandi. Uning kitoblari ham uslubiga ko&#8217;ra, ham janrlariga ko&#8217;ra bir-biridan farq qilsa-da: \u2014 oralarida nosamimiy asarlarni topolmaysiz, vaqt o&#8217;tishi bilan har birini qaytadan mutolaa qilgingiz keladi va bu kitobxonlikdan hech qachon hafsalangiz pir bo&#8217;lmaydi. Chingiz Aytmatov \u2014 Qirg&#8217;iziston xalq yozuvchisi, qirg&#8217;iz va rus tillarida ijod qiladi. &#8220;Jamila&#8221;, &#8220;Alvido, Gulsari&#8221;, &#8220;Oq kema&#8221;, &#8220;dengiz sohili bo&#8217;ylab chopayotgan Olapar&#8221; qissalarida, &#8220;Asrga tatigulik kun&#8221;, &#8220;Qiyomat&#8221;, &#8220;Kassandra tamg&#8217;asi&#8221; romanlarida adib zamonamizning keskin axloqiy va ijtimoiy muammolarini ko&#8217;taradi va ularni kitobxonlarga mohirona havola etadi. Aytmatovning kitoblari yuksak san&#8217;atga xos bo&#8217;lgan chinakam halovat bag&#8217;ishlaydi. Asar zamirida insonga, haqiqatga muhabbat tursagina, muqarrar shunday bo&#8217;ladi. Uning so&#8217;z san&#8217;atkoriga xos buyuk iste&#8217;dodi jahon adabiy jarayoniga jiddiy ta&#8217;sir ko&#8217;rsatmoqda.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chingiz Aytmatov (1928) ning eng a&#8217;lo asarlari allaqachon eng yangi jahon adabiyoti klassikasining ajralmas qismiga aylandi. Uning kitoblari ham uslubiga ko&#8217;ra, ham janrlariga ko&#8217;ra bir-biridan farq qilsa-da: \u2014 oralarida nosamimiy &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/eng-yangi-jahon-adabiyotining-klassigi-kim\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-3333","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bilasizmi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/3333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=3333"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/3333\/revisions"}],"predecessor-version":[{"id":3335,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/3333\/revisions\/3335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/657"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=3333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=3333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=3333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}