IBROHIMOV ABDUQAHHOR ABDUSAMATOVICH (1939.16.8, Toshkent) \u2014 yozuvchi, dramaturg, publisist, O’zbekiston Respublikasi san’at arbobi (1990). Toshkent uiversitenti filologiya fakultetining jurnalistika bo’limini tugatgan (1962). “O’zbekiston madaniyati” gazetasida adabiy xodim va bo\u2019lim mudiri (1962-72), “Guliston” jurnalida mas’ul kotib (1972-75), “O’zbekiston adabiyoti va san’ati” gazetasida bo’lim mudiri (1978\u2014 84), O’zbekiston Madaniyat vazirligida repertuar-tahrir hay’ati bosh muharriri (1984-86), O’zbekiston Respublikasi Prezidenti devonida konsultant va yetakchi konsultant (1990\u2014 93), Respublika “Ma’naviyat va ma’rifat” markazida bosh mutaxassis (1994 yildan). Adabiy faoliyati 60-yillarda boshlangan. “Qoya ostida” (1972), “so’nggi nur” (1977), “osmon yaqin, yer yumshoq” (1982) hikoyalar to’plamlari, “uyqu kelmas kechalar” (1998) romani muallifi. “Til \u2014 taqdir demak” (1990), “Vatan tuyg’usi” (hamkorlikda, 1996), “Bizkim, o’zbeklar” (1999) kabi badiiy va siyosiy publisistik asarlarida til, ko’hna milliy davlatchiligimiz tarixi aks ettirilgan. “Birinchi bo’sa” lirik dramasi “Yosh gvardiya” (hozirgi Abror Hidoyatov nomli) teatrida sahnalashtirilgan (1971). Bundan tashqari, “arra” (1971), “mayli, mayli” (1972), “Zo’ldir” (1973), “meni aytdi demang” (1973), “tanisangiz kerak” (1974), “sochqi” (1976), “tovushsiz qarsaklar” (1980), “O’zbekcha nikoh” (1993), “Shaytonning yo’li” (1994) va boshqa pyesalari O’zbekistonda va boshqa davlatlarning teatrlarida sahnalashtirilgan. “Mehnat shuxrati” ordeni bilan mukofotlangan (1999).<\/p>\n","protected":false},"excerpt":{"rendered":"
IBROHIMOV ABDUQAHHOR ABDUSAMATOVICH (1939.16.8, Toshkent) \u2014 yozuvchi, dramaturg, publisist, O’zbekiston Respublikasi san’at arbobi (1990). Toshkent uiversitenti filologiya fakultetining jurnalistika bo’limini tugatgan (1962). “O’zbekiston madaniyati” gazetasida adabiy xodim va bo\u2019lim mudiri … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":32566,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-33993","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/33993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=33993"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/33993\/revisions"}],"predecessor-version":[{"id":33994,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/33993\/revisions\/33994"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/32566"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=33993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=33993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=33993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}