{"id":38509,"date":"2022-12-14T09:12:03","date_gmt":"2022-12-14T06:12:03","guid":{"rendered":"https:\/\/milliycha.uz\/?p=38509"},"modified":"2022-12-14T09:12:05","modified_gmt":"2022-12-14T06:12:05","slug":"ftabatey-simey","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/ftabatey-simey\/","title":{"rendered":"FTABATEY SIMEY"},"content":{"rendered":"\n<p>FTABATEY SIMEY (taxallusi; asl ism-sharifi Xasegava Tasunoske) (1864.28.2, Tokio 1909.10.5, Singapur) \u2014 yapon yozuvchisi. Yapon tanqidiy realizmi va hozirgi yapon adabiy tili asoschisi. Tokio chet tillar intining rus bo&#8217;limida o&#8217;qigan. Ftabatey Simey ijodiga rus adabiyoti katta ta&#8217;sir ko&#8217;rsatgan. &#8220;Romanning umumiy nazariyasi&#8221; (1886) asarida Ftabatey Simeyning san&#8217;at mohiyatiga, adabiyotning ijodiy metodi bo&#8217;lmish realizmga qarashlari bayon etilgan. &#8220;Suzayotgan budut&#8221; (1887\u2014 88) romanida yangi burjua voqeligidan ko&#8217;ngli qolgan &#8220;ortiqcha kishi&#8221; obrazi tasvirlangan. &#8220;Uning qiyofasi&#8221; (1907), &#8220;Oddiy odam&#8221; (1907) kabi romanlari xam bor.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FTABATEY SIMEY (taxallusi; asl ism-sharifi Xasegava Tasunoske) (1864.28.2, Tokio 1909.10.5, Singapur) \u2014 yapon yozuvchisi. Yapon tanqidiy realizmi va hozirgi yapon adabiy tili asoschisi. Tokio chet tillar intining rus bo&#8217;limida o&#8217;qigan. &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/ftabatey-simey\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":32566,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[200],"tags":[],"class_list":["post-38509","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-f-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/38509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=38509"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/38509\/revisions"}],"predecessor-version":[{"id":38510,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/38509\/revisions\/38510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/32566"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=38509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=38509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=38509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}