{"id":55580,"date":"2023-03-24T15:40:27","date_gmt":"2023-03-24T12:40:27","guid":{"rendered":"https:\/\/milliycha.uz\/?p=55580"},"modified":"2023-03-24T15:40:28","modified_gmt":"2023-03-24T12:40:28","slug":"fonus","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/fonus\/","title":{"rendered":"FONUS"},"content":{"rendered":"\n<p>FONUS, fonar \u2014 1) qo&#8217;lda ko&#8217;tarib yuriladigan (ichiga chiroq yoki sham qo&#8217;yiladigan), shamol va yog\u2019insochindan muhofaza qilingan, biror joy (ko&#8217;cha, maydon)ga o&#8217;rnatiladigan chiroq, qandil; 2) me&#8217;morlikda bino tomi qubbasidagi dumaloq yoki ko&#8217;pqirrali ichkarini tabiiy yoritish va shamollatish uchun xizmat qiladigan me&#8217;moriy shakl. Darboziy uslubi Fonuslarning dastlabki ko&#8217;rinishidir (Niso, Panjakentsat turar joy va mehmonxonalar rekonstruktsiyalari). Fonuslar, asosan, zal, gumbaz, minora cho&#8217;qqisiga ishlanadi. Uning soda ko&#8217;rinishlari Parfenon, qadimgi Misrning gipostil zallari, qadimgi Rim bazilikalariaa, Panteon, Juma maejid, Abulfazl maqbarasi, Sofiya ibodatxonasi, To&#8217;rabekxonim maqbarasi gumbaz gardishidagi darchalar qatorida uchraydi. Buxorodagi Abdullaxon madrasasi Fonusning 8 tuynugidan tushayotgan yorug&#8217;lik ikki qavatli hujralarni yoritib turadi. Zamonaviy me&#8217;morlikda xona (zal)larni tepadan oynavandli Fonuslar orqali yoritish keng tarqalgan (Toshkentdagi O&#8217;zbek milliy akademik drama teatri, bank binolari va boshqalar).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FONUS, fonar \u2014 1) qo&#8217;lda ko&#8217;tarib yuriladigan (ichiga chiroq yoki sham qo&#8217;yiladigan), shamol va yog\u2019insochindan muhofaza qilingan, biror joy (ko&#8217;cha, maydon)ga o&#8217;rnatiladigan chiroq, qandil; 2) me&#8217;morlikda bino tomi qubbasidagi dumaloq &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/fonus\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":38910,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[200],"tags":[],"class_list":["post-55580","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-f-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/55580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=55580"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/55580\/revisions"}],"predecessor-version":[{"id":55581,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/55580\/revisions\/55581"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/38910"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=55580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=55580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=55580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}