{"id":55584,"date":"2023-03-24T15:45:06","date_gmt":"2023-03-24T12:45:06","guid":{"rendered":"https:\/\/milliycha.uz\/?p=55584"},"modified":"2023-03-24T15:45:07","modified_gmt":"2023-03-24T12:45:07","slug":"fonus-xayol","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/fonus-xayol\/","title":{"rendered":"FONUS XAYOL"},"content":{"rendered":"\n<p>FONUS XAYOL \u2014 o&#8217;zbek xalq qo&#8217;g&#8217;irchoq teatrining turi. Navoiyning &#8220;Hayratulabror&#8221; dostonida berilgan va boshqa ma&#8217;lumotlarga qaraganda, Fonus xayol 14-16 asrlarda yaxshi taraqqiy etgan. Qo&#8217;g&#8217;irchoqlar charm yoki taxtadan yassi qilib ishlangan, kiyim-kechaklari tikish va rang bilan belgilangan. Qo&#8217;g&#8217;irchoqlar dastcho&#8217;plarga o&#8217;rnatilgan. Dastcho&#8217;plarni harakatlantirish va ularning bo&#8217;g&#8217;inlariga bog&#8217;langan iplarini tortish orqali ular jonlangan. Tomoshalar kechqurun va tunda bino ichida ko&#8217;rsatilgan. Ular yupqa oq parda ortida, unga juda yaqin masofada (5-7 santimetr) harakatlantirilgan. Qo&#8217;g&#8217;irchoqlarning ortidan sha&#8217;m o&#8217;rnatilgan yoki zig&#8217;ir yog&#8217;i quyilgan bir necha fonuslar yoritib turgan. Natijada qo&#8217;g&#8217;irchoqlarning aksi pardaga tushgan. Fonus xayol tomoshalarida qahramonlik dostonlarining syujetlari aks ettirilgan va u ko&#8217;pincha saroylarda ko&#8217;rsatilgan. Ad.: Qodirov M., Xalq qo&#8217;g&#8217;irchoq teatri, T., 1972.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FONUS XAYOL \u2014 o&#8217;zbek xalq qo&#8217;g&#8217;irchoq teatrining turi. Navoiyning &#8220;Hayratulabror&#8221; dostonida berilgan va boshqa ma&#8217;lumotlarga qaraganda, Fonus xayol 14-16 asrlarda yaxshi taraqqiy etgan. Qo&#8217;g&#8217;irchoqlar charm yoki taxtadan yassi qilib ishlangan, &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/fonus-xayol\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":38910,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[200],"tags":[],"class_list":["post-55584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-f-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/55584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=55584"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/55584\/revisions"}],"predecessor-version":[{"id":55585,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/55584\/revisions\/55585"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/38910"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=55584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=55584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=55584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}