{"id":55588,"date":"2023-03-24T15:49:30","date_gmt":"2023-03-24T12:49:30","guid":{"rendered":"https:\/\/milliycha.uz\/?p=55588"},"modified":"2023-03-24T15:49:31","modified_gmt":"2023-03-24T12:49:31","slug":"formalizm","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/formalizm\/","title":{"rendered":"FORMALIZM"},"content":{"rendered":"\n<p>FORMALIZM (lotincha sormalis \u2014 forma, shaklga oid) \u2014 inson faoliyatining turli sohalarida shakl (forma)ni mazmunga nisbatan ustun qo&#8217;yish. Urf-odat, axloq qoidalarini, hatto hayotiy vaziyat ularni ahamiyatsiz qilib qo&#8217;yganda ham, so&#8217;zsiz bajarishda, kishi ko&#8217;ziga qonunni hurmat qilayotgandek bo&#8217;lib, aslida unga ko&#8217;pda rioya qilmaslikda ko&#8217;rinadi. Jamiyatni boshqarishda byurokratizm, to&#8217;rachilikda namoyon bo&#8217;ladi. San&#8217;at va adabiyotda Formalizm \u2014 realizmga zid bo&#8217;lgan badiiy metod. San&#8217;atda Formalizm san&#8217;at va voqelikni qaramaqarshi qo&#8217;yish, badiiy shaklni mazmundan ajratish, shaklning alohidaligi va ustunligini ta&#8217;kidlashdan iborat. Formalizm 19-asrning oxiri va 20-asrda paydo bo&#8217;lgan formalistik oqimlar \u2014 futurizm, ekspressionizm, syurrealizm va boshqalarning umumiy nomi. Formalizm san&#8217;at mavjud hayotning in&#8217;ikosi emas, inson sub&#8217;yektiv olamining hayotdan mustaqil ko&#8217;rinishidir, deb da&#8217;vo qiladi. San&#8217;atning tarbiyaviy rolini, uning milliyligini, milliy an&#8217;analarini inkor etadi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FORMALIZM (lotincha sormalis \u2014 forma, shaklga oid) \u2014 inson faoliyatining turli sohalarida shakl (forma)ni mazmunga nisbatan ustun qo&#8217;yish. Urf-odat, axloq qoidalarini, hatto hayotiy vaziyat ularni ahamiyatsiz qilib qo&#8217;yganda ham, so&#8217;zsiz &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/formalizm\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":38910,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[200],"tags":[],"class_list":["post-55588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-f-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/55588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=55588"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/55588\/revisions"}],"predecessor-version":[{"id":55589,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/55588\/revisions\/55589"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/38910"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=55588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=55588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=55588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}