{"id":5685,"date":"2021-10-25T08:55:14","date_gmt":"2021-10-25T05:55:14","guid":{"rendered":"https:\/\/milliycha.uz\/?p=5685"},"modified":"2021-10-25T08:55:15","modified_gmt":"2021-10-25T05:55:15","slug":"ayollar-ananaviy-ansambllari","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/ayollar-ananaviy-ansambllari\/","title":{"rendered":"AYOLLAR (AN&#8217;ANAVIY) ANSAMBLLARI"},"content":{"rendered":"\n<p>AYOLLAR (AN&#8217;ANAVIY) ANSAMBLLARI \u2014 xotin-qizlardan tashkil topgan ashula-raqs yoki ashula-cholg&#8217;u ansambllar; qadimdan o&#8217;zbek milliy musiqa ijrochiligi rivoji jarayonida yuzaga kelgan. Odatda 3-4 ayol xonanda, sozanda va raqqosalarni birlashtiradi. Repertuari o&#8217;zbek xalqi musiqa merosining boy an&#8217;analari va xususan mahalliy musiqiy uslub (sheva)larga tayangan. Bunday ansambllar turli vohalarga xos ijrochilar \u2014 yallachi (Farg&#8217;ona vodiysi), sozanda (Buxoro), xalfa (Xorazm) va hokazo nomlar bilan ham yuritilgan. Ayozqal\u2019a (an\u2019anaviy) ansambllari odatda to\u2019y va boshqa marosimlar, turli xil sayillarda o&#8217;z qo&#8217;shiq-raqslarini omma o&#8217;rtasida ijro etib kelgan. O&#8217;zbekistonda ayollarning professional va havaskorlik tarzidagi zamonaviy ansambllardan tashqari, davlat professional (Dutorchi qizlar, garmoniy qizlar va boshqalar), havaskor folklor (&#8220;Yor-yor&#8221; \u2014 Namangan, &#8220;Nozanin&#8221;\u2014Buxoro, &#8220;Gulyor&#8221;\u2014 Toshkent viloyati, &#8220;Quvasoy yor-yori&#8221;, &#8220;Onaxonlar&#8221;\u2014 Farg&#8217;ona, &#8220;Omon yor&#8221;\u2014Qo&#8217;qon va boshqalar) ansambllari mavjud.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AYOLLAR (AN&#8217;ANAVIY) ANSAMBLLARI \u2014 xotin-qizlardan tashkil topgan ashula-raqs yoki ashula-cholg&#8217;u ansambllar; qadimdan o&#8217;zbek milliy musiqa ijrochiligi rivoji jarayonida yuzaga kelgan. Odatda 3-4 ayol xonanda, sozanda va raqqosalarni birlashtiradi. Repertuari o&#8217;zbek &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/ayollar-ananaviy-ansambllari\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":3077,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-5685","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/5685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=5685"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/5685\/revisions"}],"predecessor-version":[{"id":5686,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/5685\/revisions\/5686"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/3077"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=5685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=5685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=5685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}