{"id":6578,"date":"2021-10-29T20:41:25","date_gmt":"2021-10-29T17:41:25","guid":{"rendered":"https:\/\/milliycha.uz\/?p=6578"},"modified":"2021-10-29T20:41:26","modified_gmt":"2021-10-29T17:41:26","slug":"aldar-kosa","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/aldar-kosa\/","title":{"rendered":"ALDAR KO&#8217;SA"},"content":{"rendered":"\n<p>ALDAR KO&#8217;SA \u2014 turkiy xalqlar ertaklaridagi to&#8217;qima obraz. Aldar ko\u2019sa qozoq, o&#8217;zbek, qirg&#8217;iz, qoraqalpoq, boshqird va boshqa xalqlar satirik ertaklarida hayotiy ko&#8217;lamda ta&#8217;riflanadi, tarixiy shaxs emas. Aldar ko\u2019sa an&#8217;anaviy, qadimgi obraz bo&#8217;lib urug&#8217;, qabilachilik davrida yuzaga kelgan. Ko&#8217;sa atamasi ikki xil ma&#8217;noni: biri \u2014 oila, urug&#8217;, qabila boshlig&#8217;ini; ikkinchisi \u2014 dahanida bir tuki yo&#8217;q erkak kishini anglatadi. Aldar \u2014 ismi, ko&#8217;sa \u2014 laqabi. Aldar ko\u2019sa ertaklarda asosan ijobiy, ba&#8217;zan salbiy obraz sifatida namoyon bo&#8217;ladi. U o&#8217;ta aqlli, tadbirkor, ayyor va ustomon. Aldar ko\u2019sa salbiy sifatga ega obrazligi keyingi davr xalq og&#8217;zaki ijodi namunalariga xos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ALDAR KO&#8217;SA \u2014 turkiy xalqlar ertaklaridagi to&#8217;qima obraz. Aldar ko\u2019sa qozoq, o&#8217;zbek, qirg&#8217;iz, qoraqalpoq, boshqird va boshqa xalqlar satirik ertaklarida hayotiy ko&#8217;lamda ta&#8217;riflanadi, tarixiy shaxs emas. Aldar ko\u2019sa an&#8217;anaviy, qadimgi &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/aldar-kosa\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":3077,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-6578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/6578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=6578"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/6578\/revisions"}],"predecessor-version":[{"id":6579,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/6578\/revisions\/6579"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/3077"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=6578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=6578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=6578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}