{"id":7222,"date":"2021-11-02T19:54:03","date_gmt":"2021-11-02T16:54:03","guid":{"rendered":"https:\/\/milliycha.uz\/?p=7222"},"modified":"2021-11-02T19:54:04","modified_gmt":"2021-11-02T16:54:04","slug":"amadu","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/amadu\/","title":{"rendered":"AMADU"},"content":{"rendered":"\n<p>AMADU (Amado) Jorji (1912.10.8) \u2014 Braziliya yozuvchisi. &#8220;Karnaval mamlakati&#8221; (1931) nomli ilk romanida shahar ziyolilari va mulkdorlari hayotidagi salbiy hodisalarni hajv qilsa, &#8220;Kakao&#8221; (1931), &#8220;Ter&#8221; (1933) romanlarida batraklar va ishchilar hayoti hikoya qilinadi. &#8220;Jubiaba&#8221; (1935) romanida irqchilikka qarshi chiqadi. Amadu Braziliya xalqining erk va adolat uchun kurashini yorituvchi &#8220;Luis Karlos Prestes hayoti&#8221; asarini yaratdi (1942), &#8220;Cheksiz dalalar&#8221; (1943), &#8220;Oltin mevalar dalasi&#8221; (1944) romanlari Braziliya dehqonlari hayotiga bag&#8217;ishlangan. &#8220;Qizil kurtaklar&#8221; (1946) romanida realizm kuchli. &#8220;Keksa dengizchilar&#8221; (1961) nomli ikki kissasida Braziliya xalqining o&#8217;ziga xos xususiyati ko&#8217;rsatilgan. Amadu Lotin Amerikasi adabiyoti taraqqiyotiga katta hissa qo&#8217;shgan. Uning asarlari dunyoning ko&#8217;pgina tillariga tarjima qilingan, yirik gumanist yozuvchi sifatida nom qozongan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AMADU (Amado) Jorji (1912.10.8) \u2014 Braziliya yozuvchisi. &#8220;Karnaval mamlakati&#8221; (1931) nomli ilk romanida shahar ziyolilari va mulkdorlari hayotidagi salbiy hodisalarni hajv qilsa, &#8220;Kakao&#8221; (1931), &#8220;Ter&#8221; (1933) romanlarida batraklar va ishchilar &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/amadu\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":3077,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-7222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/7222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=7222"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/7222\/revisions"}],"predecessor-version":[{"id":7223,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/7222\/revisions\/7223"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/3077"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=7222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=7222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=7222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}