Miriy (taxallusi; asl ism-sharifi Ochildimurod Ne\u2019matilla o\u2018g\u2018li) (1830 \u2014 Kattaqo\u2018rg\u2018on\u20141899) \u2014 shoir va xattot. Kattaqo\u2018rg\u2018ondagi Naqibxo\u2018ja va Buxoro madrasalarida o\u2018qigan. Kalliqo\u2018rg\u2018on mavzeida qozilik qilgan (1888).<\/p>\n\n\n\n
Miriyning mukammal devoni, ikkita bayozi, qator epik asarlari saqlangan. Miriy ijodining asosiy qismini uning dostonlari egallaydi. \u00abRa\u2019no va Zebo\u00bb (1884) dostonini forsiyda yozgan. Miriy tarixiy voqealar asosida romantik uslubda \u00abQissai Salim Javhariy\u00bb (1887), \u00abRustam va Suhrob\u00bb (1898), \u00abMajdiddin va Faxruniso\u00bb (1899) dostonlarida adolatli tuzum, farovon turmush, komil inson haqidagi ilg\u2018or fikrlari aks etgan. \u00abGulnoma\u00bb, \u00abChoynoma\u00bb kabi masnaviylarida hayot haqidagi falsafiy-estetik qarashlari o\u2018z ifodasini topgan.<\/p>\n\n\n\n
Miriy Firdavsiy \u00abShohnomasi\u00bbning bir qismini va Husayn Voiz Koshifiyning \u00abAnvori Suxayliy\u00bb asarini she\u2019riy yo\u2018lda turkiyga tarjima qilgan. Navoiy, Jomiy, Sa\u2019diy va boshqa shoirlarning ayrim asarlarini nash va nasta\u2019liq xatlarida ko\u2018chirgan.<\/p>\n\n\n\n
Miriy g\u2018azallarida hayot ziddiyatlari, turmushdagi tartibsizliklar, nohaqliklarni tasvirlagan. Hajviy she\u2019rlarida esa riyokor qozilar va mirshablarni fosh etgan. Shoir lirikasi, hajviyoti va epik asarlari yuksak badiiy xususiyatlari bilan ajralib turadi. Miriy asarlari O\u2018zbekiston Fanlar akademiyasi Sharqshunoslik instituti, Samarqand davlat universitetining asosiy kutubxonasi fondlarida saqlanadi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Miriy (taxallusi; asl ism-sharifi Ochildimurod Ne\u2019matilla o\u2018g\u2018li) (1830 \u2014 Kattaqo\u2018rg\u2018on\u20141899) \u2014 shoir va xattot. Kattaqo\u2018rg\u2018ondagi Naqibxo\u2018ja va Buxoro madrasalarida o\u2018qigan. Kalliqo\u2018rg\u2018on mavzeida qozilik qilgan (1888). Miriyning mukammal devoni, ikkita bayozi, … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":7366,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[],"class_list":["post-8126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-adabiyot","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/8126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=8126"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/8126\/revisions"}],"predecessor-version":[{"id":163575,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/8126\/revisions\/163575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/7366"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=8126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=8126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=8126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}