{"id":91365,"date":"2023-07-17T15:42:03","date_gmt":"2023-07-17T12:42:03","guid":{"rendered":"https:\/\/milliycha.uz\/?p=91365"},"modified":"2023-07-17T15:42:06","modified_gmt":"2023-07-17T12:42:06","slug":"xabibulin-ozad-garifovich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/xabibulin-ozad-garifovich\/","title":{"rendered":"Xabibulin Ozad Garifovich"},"content":{"rendered":"\n<p>Xabibulin Ozad Garifovich (1949.26.7, G&#8217;ijduvon) \u2014 monumental rangtasvir ustasi, O&#8217;zbekiston xalq rassomi (2004). Toshkent teatr va rassomlik san&#8217;ati intini tutatgan (1973). 1974 yildan Toshkent haykaltaroshlik va monumental san&#8217;at kombinatida rassom. Xabibulin ijodida majoziy qiyofalar shakl va milliy naqqoshlik san&#8217;atining uyg&#8217;unligida o&#8217;ziga xos yangicha talqinga ega bo&#8217;ldi: &#8220;Planeta hayoti&#8221; (O&#8217;zbekiston Respublikasi matbuot markazida), &#8220;Sharq allomalari&#8221; (O&#8217;zbekiston Respublikasi fan va texnika markazida), &#8220;Amir Temur saltanati&#8221; (O&#8217;zbekiston Baynalmilal madaniyat markazida), &#8220;Ilhom parisi&#8221;, &#8220;Sirli olam&#8221; (O&#8217;zbekiston konservatoriyasida); &#8220;baxt uyi&#8221; (Navoiy shahri), O&#8217;zbekiston qurolli kuchlari tarixi muzeyi, &#8220;Toshkent&#8221; va &#8220;Oybek&#8221; metro bekatlaridagi kulollik va mozaika bezaklari va boshqalar 1977 yildan Respublika va xalqaro ko&#8217;rgazmalarda ishtirok etadi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Xabibulin Ozad Garifovich (1949.26.7, G&#8217;ijduvon) \u2014 monumental rangtasvir ustasi, O&#8217;zbekiston xalq rassomi (2004). Toshkent teatr va rassomlik san&#8217;ati intini tutatgan (1973). 1974 yildan Toshkent haykaltaroshlik va monumental san&#8217;at kombinatida rassom. &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/xabibulin-ozad-garifovich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":56191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[209],"tags":[],"class_list":["post-91365","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-x-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/91365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=91365"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/91365\/revisions"}],"predecessor-version":[{"id":91368,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/91365\/revisions\/91368"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/56191"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=91365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=91365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=91365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}