{"id":93489,"date":"2023-07-23T14:09:38","date_gmt":"2023-07-23T11:09:38","guid":{"rendered":"https:\/\/milliycha.uz\/?p=93489"},"modified":"2023-07-23T14:09:42","modified_gmt":"2023-07-23T11:09:42","slug":"jorayev-asror","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/jorayev-asror\/","title":{"rendered":"Jo&#8217;rayev Asror"},"content":{"rendered":"\n<p>Jo&#8217;rayev Asror (1911.22.11 &#8211; Samarqand \u2014 1983.28.11) \u2014 rejissyor va aktyor. O&#8217;zbekiston xalq artisti (1950). Maxsus rejissyorlik kursini tugatgan (Moskva, 1939, 1948). Ijodiy faoliyatini &#8220;ko&#8217;k ko&#8217;ylak&#8221; havaskorlik truppasida boshlagan. 1930 yildan Samarqand teatrida aktyor, 1933 yildan rejissyor (1940\u2014 44, 1948-57 bosh rejissyor). 1964 yildan Samarqand opera va balet teatrida rejissyor. Aktyor sifatida O&#8217;lmas (&#8220;Yondiramiz&#8221;), Egor (&#8220;oila&#8221;) kabi obrazlarni yaratgan. Eng yaxshi spektakllari: &#8220;Davron ota&#8221;, &#8220;hamshahar yigit&#8221;, &#8220;Nurxon&#8221;, &#8220;Alisher Navoiy&#8221;, &#8220;Shohi so&#8217;zana&#8221;, &#8220;Sepsiz qiz&#8221;, &#8220;Nodira&#8221; va boshqalar. Shuningdek, &#8220;Dilerom&#8221; (M. Ashrafiy), &#8220;Tohir va Zuhra&#8221; (T. Jalilov), &#8220;Maysaraning ishi&#8221; (S. Yudakov), &#8220;Farhod va Shirin&#8221; (V. Uspenskiy, G. Mushel) kabi operalarni sahnalashtirgan. Jizzax, Qashqadaryo viloyat musiqali drama teatrlari, Kattaqo&#8217;rg&#8217;on drama teatri sahnalarida ham spektakllar qo&#8217;ygan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jo&#8217;rayev Asror (1911.22.11 &#8211; Samarqand \u2014 1983.28.11) \u2014 rejissyor va aktyor. O&#8217;zbekiston xalq artisti (1950). Maxsus rejissyorlik kursini tugatgan (Moskva, 1939, 1948). Ijodiy faoliyatini &#8220;ko&#8217;k ko&#8217;ylak&#8221; havaskorlik truppasida boshlagan. 1930 &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/jorayev-asror\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":56191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[208],"tags":[],"class_list":["post-93489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-j-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/93489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=93489"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/93489\/revisions"}],"predecessor-version":[{"id":93513,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/93489\/revisions\/93513"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/56191"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=93489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=93489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=93489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}