{"id":9637,"date":"2021-11-11T14:03:21","date_gmt":"2021-11-11T11:03:21","guid":{"rendered":"https:\/\/milliycha.uz\/?p=9637"},"modified":"2021-11-11T14:03:22","modified_gmt":"2021-11-11T11:03:22","slug":"antre","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/antre\/","title":{"rendered":"ANTRE"},"content":{"rendered":"\n<p>ANTRE (Fransuzcha entree \u2014 kirish, sahnagachiqish) \u2014 1) Yevropada\u2014o&#8217;rta asrlarda maxsus kiyingan qahramonlarning musiqa, ashula va raqs jo&#8217;rligida ziyofat yoki bal kechalariga raqsga tushib kirishi; mehmonlarning tantanavor yurib zalga chiqishi; 2) 17 \u2014 18-asrlarda raqs va pantomima vositasida balet qismini namoyish qiluvchi bir yoki bir necha raqqos va raqqosalar guruhining chiqishi; 3) 19 \u2014 20-asr baletida kengaytirilgan kirish qismi, raqqosa va raqqosning umumiy chiqishi. Bular maxsus intrada deb ataluvchi musiqa asarlariga zamin bo&#8217;lgan; 4) tsirkda ilgari: masxarabozlarning manejda paydo bo&#8217;lishi; hrzir: masxaraboz yoki qiziqchilarning so&#8217;zlashish yoki pantomima orqali bir-biriga tushuntirish sahnasi. O&#8217;zbek masxaraboz va qiziqchilari ijodida Antrega o&#8217;xshash tomoshalar mavjud: korfarmon bilan masxarabozlar dialogi (&#8220;Qozi&#8221;, &#8220;Sartarosh&#8221;, &#8220;Shayton&#8221;, &#8220;O&#8217;lik sotdi&#8221; va boshqalar). Zamonaviy o&#8217;zbek tsirkida A. Yusupov, G. Zastavnikov, P. Borovikov, Papsik (P. Ulyanov) va boshqalar ijodida Antre katta o&#8217;rin tutgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANTRE (Fransuzcha entree \u2014 kirish, sahnagachiqish) \u2014 1) Yevropada\u2014o&#8217;rta asrlarda maxsus kiyingan qahramonlarning musiqa, ashula va raqs jo&#8217;rligida ziyofat yoki bal kechalariga raqsga tushib kirishi; mehmonlarning tantanavor yurib zalga chiqishi; &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/antre\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":9243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-9637","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/9637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=9637"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/9637\/revisions"}],"predecessor-version":[{"id":9642,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/9637\/revisions\/9642"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/9243"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=9637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=9637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=9637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}