{"id":97564,"date":"2023-08-05T09:32:38","date_gmt":"2023-08-05T06:32:38","guid":{"rendered":"https:\/\/milliycha.uz\/?p=97564"},"modified":"2023-08-05T09:32:42","modified_gmt":"2023-08-05T06:32:42","slug":"lad","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/lad\/","title":{"rendered":"Lad"},"content":{"rendered":"\n<p>Lad (ruscha \u2014 uyg&#8217;unlik, tartib), pardalar tuzilmasi, tuzuk \u2014 1) keng ma&#8217;noda, musiqiy-estetik tushuncha sifatida \u2014 pardalarning o&#8217;zaro mutanosibligi, turli balandlikdagi musiqiy tovushlarning uyg&#8217;unligi; 2) musiqa nazariyasining asosiy tushunchalaridan biri, musiqiy pog&#8217;onalarning bosh parda (yoki asosiy pardalar qo&#8217;shilmasi) atrofida o&#8217;zaro bog&#8217;lanish tizimi. Lad pog&#8217;onalari o&#8217;zining turg&#8217;un (tayanch)ligi jihatidan bir-biridan farqlanadi, turg&#8217;un bo&#8217;lmagan pog&#8217;onalar turg&#8217;un pog&#8217;onalarga &#8220;tortilib&#8221; (intilib) turadi. Lad pog&#8217;onalarining ketma-ket kelishi uning gammasinn tashkil etadi, ularning tartibli o&#8217;zaro bog&#8217;lanishi tovushqator yordamida ifodalanadi. Lad pog&#8217;onalarining soni va ular orasidagi intervallar sifatiga qarab ekmelika (balandligi o&#8217;zgaruvchan tovushlardan iborat), angemitonika (yarim tonliksiz tovush-qatorlarga asoslangan), diatonika (shu jumladan, major va minor), xromatika kabi Lad turkumlari ajratiladi. Kuy rivojidagi tayanch va notayanch pog&#8217;onalarning almashinuv jarayonining o&#8217;ziga xosligi modal (monodik), garmonik, tonallik va boshqa turlarni tashkil etadi. Bir asar davomida boshlang&#8217;ich Ladning balandligi (tonalligi) o&#8217;zgarsa, og&#8217;ishma yoki modulyasiya sodir bo&#8217;ladi. Sharq musiqa amaliyoti va nazariyasida Ladlar turlicha nomlanib kelgan: Arabcha makam, forscha parda, O&#8217;zbekcha maqom, ozarbayjoncha Mug&#8217;om va boshqalar. Ular o&#8217;ziga xos xususiyatlarga ega bo&#8217;lib, pog&#8217;onalarning oralig&#8217;i 90, 114, 180, 204 tsentli Intervallarga asoslanadi va ko&#8217;p pog&#8217;onali turli Ladlarni tashkil qiladi. Ladlar turli xalqlar musiqa merosi, o&#8217;tgan zamon va hozirgi davr bastakorlari va kompozitorlari asarlarining muayyan asosini tashkil etadi. Shu bilan birga 20-asr ba&#8217;zi musiqa yo&#8217;nalishlari (atonal musiqa, dodekafoniya, sonorizm va boshqalar)da aniq bir Laddan chetlanish uchraydi; 3) musiqiy tovush-qatorning turi (masalan, Major, minor). Ad.: Kon Yu., Nekotorie Voprosi ladovogo stroeniya uzbekskoy narodnoy pesni i eyo garmonizasii, T., 1979. Olimjon Bekov.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lad (ruscha \u2014 uyg&#8217;unlik, tartib), pardalar tuzilmasi, tuzuk \u2014 1) keng ma&#8217;noda, musiqiy-estetik tushuncha sifatida \u2014 pardalarning o&#8217;zaro mutanosibligi, turli balandlikdagi musiqiy tovushlarning uyg&#8217;unligi; 2) musiqa nazariyasining asosiy tushunchalaridan biri, &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/lad\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":56191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[223],"tags":[],"class_list":["post-97564","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-l-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/97564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=97564"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/97564\/revisions"}],"predecessor-version":[{"id":97592,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/97564\/revisions\/97592"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/56191"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=97564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=97564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=97564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}