{"id":97649,"date":"2023-08-05T18:28:30","date_gmt":"2023-08-05T15:28:30","guid":{"rendered":"https:\/\/milliycha.uz\/?p=97649"},"modified":"2023-08-05T18:28:34","modified_gmt":"2023-08-05T15:28:34","slug":"leonkavallo-rujero","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/leonkavallo-rujero\/","title":{"rendered":"Leonkavallo Rujero"},"content":{"rendered":"\n<p>Leonkavallo Rujero (1857.25.4, Neapol \u2014 1919.9.8, Florentsiya yonidagi Montekatini) &#8211; italyan kompozitori, musiqiy verizm asoschilaridan. Neapol konservatoriyasi, Bolonya universitetida ta&#8217;lim olgan. Bolonya universiteti doktori (1878). Hayotni haqqoniy ifodalashga yo&#8217;naltirilgan verizm uslubida 20 dan ziyod opera yaratgan: &#8220;Bogema&#8221; (1897, &#8220;Lotin kvartali hayoti&#8221; nomida ham qo&#8217;yilgan), &#8220;Zaza&#8221; (1900), &#8220;lo&#8217;lilar&#8221; (1912) va boshqalar. &#8220;Masxarabozlar&#8221; (&#8220;Payatslar&#8221;, 1892) operasi oddiy odamlar kechinmalarining yorqin ifodalanishi, keskin dramatik rivoji, musiqiy vositalar hamda kuylarning ta&#8217;sirchanligi bilan qimmatli bo&#8217;lib, musiqa verizmining ibratli namunasiga aylangan. &#8220;Malbruk&#8221;, &#8220;Atirgul qirolichasi&#8221; kabi operettalar, &#8220;qo&#8217;g&#8217;irchoq hayoti&#8221; baleti, simfonik va kamer asarlar ham yaratgan. &#8220;Masxarabozlar&#8221; operasi Navoiy teatrining repertuaridan doimiy o&#8217;rin olgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Leonkavallo Rujero (1857.25.4, Neapol \u2014 1919.9.8, Florentsiya yonidagi Montekatini) &#8211; italyan kompozitori, musiqiy verizm asoschilaridan. Neapol konservatoriyasi, Bolonya universitetida ta&#8217;lim olgan. Bolonya universiteti doktori (1878). Hayotni haqqoniy ifodalashga yo&#8217;naltirilgan verizm &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/leonkavallo-rujero\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":56191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[223],"tags":[],"class_list":["post-97649","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-l-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/97649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=97649"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/97649\/revisions"}],"predecessor-version":[{"id":97650,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/97649\/revisions\/97650"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/56191"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=97649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=97649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=97649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}