{"id":99252,"date":"2023-08-14T16:13:45","date_gmt":"2023-08-14T13:13:45","guid":{"rendered":"https:\/\/milliycha.uz\/?p=99252"},"modified":"2023-08-14T16:13:49","modified_gmt":"2023-08-14T13:13:49","slug":"vatto-watteau-antuan-jan-antuan","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/kr\/vatto-watteau-antuan-jan-antuan\/","title":{"rendered":"Vatto (Watteau) Antuan (Jan Antuan)"},"content":{"rendered":"\n<p>Vatto (Watteau) Antuan (Jan Antuan) (1684.10.10, Valansenn, frantsuz Flandriyasi \u2014 1721.18.7, Nojan-syurmarn, Parij yaqinida) \u2014 frantsuz rassomi, frantsuz realistik san&#8217;atining asoschisi. 1717 yilda &#8220;Qiferu oroliga ziyoratga&#8221; (Luvr, Parijda) yirik asari uchun akademik unvoni berilgan. Vatto ijodi frantsuz rangtasviri, grafikasi va bezak san&#8217;ati rivojining yangi bosqichini boshlab berdi, asarlariga alohida ishqiy va jo&#8217;shqin ehtiroslar olib kirdi (&#8220;Bivuak&#8221;, &#8220;sug&#8217;ur ko&#8217;targan savoyar&#8221;, 1716 va boshqalar). Vatto ilk bor san&#8217;atda istehzo va kuyunchaklik bilan yo&#8217;g&#8217;rilgan nozik ruhiy holatlarni aks ettirdi (&#8220;Venetsiya bayrami&#8221;, &#8220;muhabbat tantanasi&#8221; va boshqalar). Vatto merosi (ayniqsa bezak nafosati bilan) rokokoni uslubiy yo&#8217;nalish sifatida rivojlanishiga zamin yaratdi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vatto (Watteau) Antuan (Jan Antuan) (1684.10.10, Valansenn, frantsuz Flandriyasi \u2014 1721.18.7, Nojan-syurmarn, Parij yaqinida) \u2014 frantsuz rassomi, frantsuz realistik san&#8217;atining asoschisi. 1717 yilda &#8220;Qiferu oroliga ziyoratga&#8221; (Luvr, Parijda) yirik asari &hellip; <a href=\"https:\/\/milliycha.uz\/kr\/vatto-watteau-antuan-jan-antuan\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":56191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[207],"tags":[],"class_list":["post-99252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-v-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"kr","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/99252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/comments?post=99252"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/99252\/revisions"}],"predecessor-version":[{"id":99259,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/posts\/99252\/revisions\/99259"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media\/56191"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/media?parent=99252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/categories?post=99252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/kr\/wp-json\/wp\/v2\/tags?post=99252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}