{"id":10164,"date":"2021-11-13T10:35:15","date_gmt":"2021-11-13T07:35:15","guid":{"rendered":"https:\/\/milliycha.uz\/?p=10164"},"modified":"2025-11-03T13:34:59","modified_gmt":"2025-11-03T10:34:59","slug":"arinin-mixail-aleksandrovich-kim-bolgan","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/arinin-mixail-aleksandrovich-kim-bolgan\/","title":{"rendered":"ARININ MIXAIL ALEKSANDROVICH kim bo&#8217;lgan?"},"content":{"rendered":"\n<p>ARININ MIXAIL ALEKSANDROVICH (1897.3.9, Saratov gubernyasi \u2014 1967.7.5, Toshkent) \u2014 rassom, O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1951). 1924 yildan dastlab Qo&#8217;qonda, so&#8217;ng Toshkentda yashab ijod qilgan. 1930 yillarda &#171;Paranjini yondirish&#187;, &#171;G&#8217;o&#8217;za chopig&#8217;i&#187; (1935), &#171;Paxta topshirish&#187; (1937) va boshqa asarlarni yaratdi. 2-jahon urushi yillari O&#8217;zTAGda ishladi. Shimoliy Kavkaz frontida bo&#8217;lib, &#171;Nemislar ketgandan keyin&#187;, &#171;Tog&#8217;lik qiz portreti&#187;, &#171;Fashistlar qiynoqxonasida&#187; asarlarini, urushdan keyin &#171;Musobaqalashmoqdalar&#187; (1949), &#171;Shohimardon yo&#8217;lida&#187; (1957) kabi asarlarni ishladi. 1956 \u2014 57 yillarda u O&#8217;. Tansiqboyev va K. Cheprakovlar bilan Navoiy teatri foyelarini devoriy rasmlar bilan bezadi. Arinin manzaralari (&#171;Sirdaryo&#187;, 1960; &#171;Bahor&#187;, 1962 va boshqalar) da O&#8217;zbekistonning go&#8217;zal tabiatini aks ettirdi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ARININ MIXAIL ALEKSANDROVICH (1897.3.9, Saratov gubernyasi \u2014 1967.7.5, Toshkent) \u2014 rassom, O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1951). 1924 yildan dastlab Qo&#8217;qonda, so&#8217;ng Toshkentda yashab ijod qilgan. 1930 yillarda &#171;Paranjini yondirish&#187;, &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/arinin-mixail-aleksandrovich-kim-bolgan\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":9243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-10164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/10164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=10164"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/10164\/revisions"}],"predecessor-version":[{"id":164743,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/10164\/revisions\/164743"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/9243"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=10164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=10164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=10164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}