{"id":101962,"date":"2023-08-27T18:03:51","date_gmt":"2023-08-27T15:03:51","guid":{"rendered":"https:\/\/milliycha.uz\/?p=101962"},"modified":"2023-08-27T18:03:52","modified_gmt":"2023-08-27T15:03:52","slug":"xojayev-bobo","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/xojayev-bobo\/","title":{"rendered":"Xo&#8217;jayev Bobo"},"content":{"rendered":"\n<p>Xo&#8217;jayev Bobo (1916.15.6 Toshkent \u2014 1993.3.1) \u2014aktyor, rejissyor. O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1967). Moskva o&#8217;zbek drama studiyasini tugatgan (1930). 1930-32 yillar Buxoro teatrida aktyor va rejissyor 1932-56 yillarda Respublikaning turli teatrlarida ishlagan. 1956-77 yillar O&#8217;zbekiston televideniyesida rejissyor Aktyor sifatida G&#8217;ofir (&#171;boy ila xizmatchi&#187;), Kalaf (&#171;Malikai Turandot&#187;), Karl Moor (&#171;qaroqchilar&#187;) kabi obrazlar yaratgan. &#171;Uylanish&#187; (N. Gogol), &#171;Hamlet&#187; (U. Shekspir; M. Uyg&#8217;ur bilan hamkorlikda), &#171;Farhod va Shirin&#187; (xurshid), &#171;Gulsara&#187; (K. Yashin), &#171;Maysaraning ishi&#187; (Hamza; M. Miroqilov bilan hamkorlikda), &#171;Skapenning nayranglari&#187; (Moler), &#171;Front&#187; (A. Korneychuk) va boshqa spektakllarni sahnalashtirgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Xo&#8217;jayev Bobo (1916.15.6 Toshkent \u2014 1993.3.1) \u2014aktyor, rejissyor. O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1967). Moskva o&#8217;zbek drama studiyasini tugatgan (1930). 1930-32 yillar Buxoro teatrida aktyor va rejissyor 1932-56 yillarda Respublikaning &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/xojayev-bobo\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[209],"tags":[],"class_list":["post-101962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-x-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/101962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=101962"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/101962\/revisions"}],"predecessor-version":[{"id":101967,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/101962\/revisions\/101967"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=101962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=101962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=101962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}