{"id":103086,"date":"2023-08-31T13:11:58","date_gmt":"2023-08-31T10:11:58","guid":{"rendered":"https:\/\/milliycha.uz\/?p=103086"},"modified":"2023-08-31T13:12:06","modified_gmt":"2023-08-31T10:12:06","slug":"shoba","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/shoba\/","title":{"rendered":"Sho&#8217;ba"},"content":{"rendered":"\n<p>Sho&#8217;ba (Arabcha \u2014 qism, tarmoq) \u2014 1) O&#8217;rta asr o&#8217;n ikki maqom tizimida parda tuzilmalarining muayyan tarmog&#8217;i. Sho&#8217;balar asosiy maqomlarga aloqador bo&#8217;lgan quyi tabaqadagi parda tuzilmalaridir. Sharq musiqa nazariyasiga oid adabiyotlarga ko&#8217;ra, jami 24 Sho&#8217;ba bo&#8217;lib, tovushqatori 2 dan 10 pog&#8217;onagacha yetgan. Ular, asosan, Dugoh, Segoh, Chorgoh, Panjgoh, Ashiran, Navro&#8217;zi Arab, Mohur, Navro&#8217;zi Xoro, Navro&#8217;zi Bayotiy, Hisor, Nuhuft, Uzzol, Avj, Nayriz, Mubarqa&#8217;, Rakb, Sabo (Navro&#8217;zi Sabo), Humoyun, Zovuliy, Isfahonak yoki ro&#8217;yi Iroq, bastai Nigor, Nihovand, Javziy, muxayyar deb nomlanadi. Ba&#8217;zi manbalarda Nishoburak, mag&#8217;lub, Ajam (Navro&#8217;zi Ajam) kabi Sho&#8217;ba nomlari ham keltirilgan; 2) Shashmaqomda jamlangan mukammal ashula yo&#8217;llari. Sho&#8217;ba namunalari o&#8217;zaro farqli 2 guruhga taqsimlangan bo&#8217;lib, birinchisini Saraxbor, talqin, Nasr va yakunlovchi Ufar, ikkinchisini esa, asosan, savt va mo&#8217;g&#8217;ulcha (tarkibiy shoxobchalari bilan) kabilar tashkil etadi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sho&#8217;ba (Arabcha \u2014 qism, tarmoq) \u2014 1) O&#8217;rta asr o&#8217;n ikki maqom tizimida parda tuzilmalarining muayyan tarmog&#8217;i. Sho&#8217;balar asosiy maqomlarga aloqador bo&#8217;lgan quyi tabaqadagi parda tuzilmalaridir. Sharq musiqa nazariyasiga oid &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/shoba\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[211],"tags":[],"class_list":["post-103086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sh-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/103086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=103086"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/103086\/revisions"}],"predecessor-version":[{"id":103112,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/103086\/revisions\/103112"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=103086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=103086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=103086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}