{"id":103482,"date":"2023-09-04T10:49:25","date_gmt":"2023-09-04T07:49:25","guid":{"rendered":"https:\/\/milliycha.uz\/?p=103482"},"modified":"2023-09-04T10:49:29","modified_gmt":"2023-09-04T07:49:29","slug":"xotima-2","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/xotima-2\/","title":{"rendered":"Xotima"},"content":{"rendered":"\n<p>Xotima \u2014 badiiy, ilmiy asarlarga yakun sifatida yoziladigan qo&#8217;shimcha qism. Badiiy asar Xotimasida yozuvchi asar qahramonlarining keyingi taqdiri haqidagi mulohazalarini qisqa bayon qiladi. Teatrdramatik asarlar (ko&#8217;proq komediyalar)da aktyor-personajlarning namoyish qilingan voqealar mazmuni haqidagi yakuniy xarakteristikasi yoki ularning tomoshabinlarga qarata nasihat, minnatdorchilik, iltifot ko&#8217;rsatish ma&#8217;nosidagi murojaati (Shekspir, Brext, Moler dramalari) tushuniladi. Yunon dramaturgiyasida Xotima vazifasini xorning yakuniy monologi bajargan. Ko&#8217;pgina roman va qissalarning Xotimasida qahramonlarning syujet yechimidan so&#8217;ng ma&#8217;lum vaqt o&#8217;tgandan keyingi hayoti tasvirlanadi. Ayni bir paytda Xotimada tasvirlangan voqealarning axloqiy, falsafiy, estetik jihatlari haqida mulohaza yuritiladi. L.Tolstoyning &#171;urush va tinchlik&#187;, Abdulla Qodiriyning &#171;o&#8217;tgan kunlar&#187;, Abdulla Qahhorning &#171;sinchalak&#187; asarlarida Xotima namunalari mavjud.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Xotima \u2014 badiiy, ilmiy asarlarga yakun sifatida yoziladigan qo&#8217;shimcha qism. Badiiy asar Xotimasida yozuvchi asar qahramonlarining keyingi taqdiri haqidagi mulohazalarini qisqa bayon qiladi. Teatrdramatik asarlar (ko&#8217;proq komediyalar)da aktyor-personajlarning namoyish qilingan &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/xotima-2\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[209],"tags":[],"class_list":["post-103482","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-x-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/103482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=103482"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/103482\/revisions"}],"predecessor-version":[{"id":103497,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/103482\/revisions\/103497"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=103482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=103482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=103482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}