{"id":103657,"date":"2023-09-04T16:33:17","date_gmt":"2023-09-04T13:33:17","guid":{"rendered":"https:\/\/milliycha.uz\/?p=103657"},"modified":"2023-09-04T16:33:33","modified_gmt":"2023-09-04T13:33:33","slug":"xokusay-kasusika","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/xokusay-kasusika\/","title":{"rendered":"Xokusay Kasusika"},"content":{"rendered":"\n

Xokusay Kasusika, Nakadzima Tamekadzu [1760 \u2014 Edo (Tokio) \u2014 1849.18.4] \u2014 yapon rassomi, Ukiyoe yo’nalishining yirik namoyandasi. Yapon gravyurasida manzara janri asoschisi. Kasukava Syunso va boshqa ustalardan ta’lim olgan (1777-78). Xitoyning Min davri, Kano maktabi rassomligini o’rgangan, «go’zallar», «odamlar», manzara janrlarida ijod qilgan. 30 mingga yaqin gravyura va rasmlar yaratgan (15 jildli «Manga» kitobida, 1812-71). Yirik asarlarida dadil perspektiv samaralar taassuroti kutilmagan ranglar uyg’unligi orqali yapon manzaralarini o’ziga xos obrazini yarata olgan: «Fudzi tog’ining 36 ko’rinishi» turkumi (1823-29), «Turli viloyatlardagi yangi ko’priklar» (1827-30), «turli viloyatlar sharsharalari bo’ylab sayohat» (1827-33), «Fudzi tog’ining 100 ko’rinishi» (183435) va boshqalar. Xokusay asarlari hozirgacha qiziqib o’rganiladi, ko’rgazmalarda namoyish etiladi, rassomlar (jumladan, o’zbekistonlik rassomlar) ijodiga ta’siri kuzatiladi.<\/p>\n","protected":false},"excerpt":{"rendered":"

Xokusay Kasusika, Nakadzima Tamekadzu [1760 \u2014 Edo (Tokio) \u2014 1849.18.4] \u2014 yapon rassomi, Ukiyoe yo’nalishining yirik namoyandasi. Yapon gravyurasida manzara janri asoschisi. Kasukava Syunso va boshqa ustalardan ta’lim olgan (1777-78). … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[209],"tags":[],"class_list":["post-103657","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-x-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/103657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=103657"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/103657\/revisions"}],"predecessor-version":[{"id":103673,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/103657\/revisions\/103673"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=103657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=103657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=103657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}