{"id":104534,"date":"2023-09-07T13:32:16","date_gmt":"2023-09-07T10:32:16","guid":{"rendered":"https:\/\/milliycha.uz\/?p=104534"},"modified":"2023-09-07T13:32:20","modified_gmt":"2023-09-07T10:32:20","slug":"shoyinka-soyinka-vole","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/shoyinka-soyinka-vole\/","title":{"rendered":"Shoyinka, Soyinka Vole"},"content":{"rendered":"\n<p>Shoyinka, Soyinka Vole (1934.13.7, Abeokuta) \u2014 nigeriyalik dramaturg va yozuvchi. &#171;Sher va sohibjamol&#187; (1963) va &#171;o&#8217;rmon raqsi&#187; (1963) hajviy pesalarida Shoyinka grotesk vositasi orqali Afrikadagi an&#8217;anaviy va zamonaviy oqimlar o&#8217;rtasidagi to&#8217;qnashuvlarni aks ettiradi; tarixiy o&#8217;tmishni bilishga chaqiradi. &#171;Monax Ieronimning sinovlari&#187; (1964) komediyasi, urushga qarshi qaratilgan &#171;telbalar va professionallar&#187; masali (1971) va &#171;sharhlovchilar&#187; (1965) romanining muallifi. Bu asarlarda Shoyinka Nigeriya amaldorlarining poraxo&#8217;rligini qoralaydi. She&#8217;rlarida o&#8217;z davri muhitidan norozilik ohanglari sezilib turadi (&#171;qamoqdagi she&#8217;rlar&#187;, 1969). Nobel mukofoti laureati (1986).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shoyinka, Soyinka Vole (1934.13.7, Abeokuta) \u2014 nigeriyalik dramaturg va yozuvchi. &#171;Sher va sohibjamol&#187; (1963) va &#171;o&#8217;rmon raqsi&#187; (1963) hajviy pesalarida Shoyinka grotesk vositasi orqali Afrikadagi an&#8217;anaviy va zamonaviy oqimlar o&#8217;rtasidagi &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/shoyinka-soyinka-vole\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[211],"tags":[],"class_list":["post-104534","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sh-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/104534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=104534"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/104534\/revisions"}],"predecessor-version":[{"id":104543,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/104534\/revisions\/104543"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=104534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=104534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=104534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}