{"id":104875,"date":"2023-09-08T14:17:00","date_gmt":"2023-09-08T11:17:00","guid":{"rendered":"https:\/\/milliycha.uz\/?p=104875"},"modified":"2023-09-08T14:17:07","modified_gmt":"2023-09-08T11:17:07","slug":"shahrisabz-dostonchilik-maktabi","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/shahrisabz-dostonchilik-maktabi\/","title":{"rendered":"Shahrisabz dostonchilik maktabi"},"content":{"rendered":"\n<p>Shahrisabz dostonchilik maktabi \u2014 20-asr boshlarigacha o&#8217;zbek dostonchiligida mavjud bo&#8217;lgan o&#8217;ziga xos ijrochilik yo&#8217;li. Bu maktabning ayrim xususiyatlari ulkan xalq baxshisi Abdulla Nurali o&#8217;g&#8217;li ijodi va repertuarida saqlanib qolgan. Shahrisabz dostonchilik maktabiga mansub baxshilar dostonlarni sho&#8217;x, quvnoq, ko&#8217;tarinki ruhda kuylashlari, kuylarining yoqimliligi bilan ajralib turganlar. Abdulla shoir 19-asrning shahrisabzlik mashhur dostonchilari Xidir shoir, Ernazar shoirlar bilan bog&#8217;liq bo&#8217;lgan Rajab shoirning shogirdidir. Abdulla shoir ijrosi folklorshunoslar tomonidan ko&#8217;p kuzatilgan bo&#8217;lsada, uning repertuaridagi 10 dan ortiq doston deyarli yozib olinmagan. Shoirdan umrining so&#8217;nggi yillarida yozib olingan &#171;Alpomish&#187; dostoni u kuylab kelgan variant xususiyatlarini o&#8217;zida mukammal saqlay olmagan. Biroq uning boshqa baxshilardan farq qiluvchi ijro usullari Shahrisabz dostonchilik maktabi haqida muayyan tasavvur bera oladi. Ad.: Jirmunskiy V.M., Zarifov X.T., Uzbekskiy geroicheskiy epos, M., 1947.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shahrisabz dostonchilik maktabi \u2014 20-asr boshlarigacha o&#8217;zbek dostonchiligida mavjud bo&#8217;lgan o&#8217;ziga xos ijrochilik yo&#8217;li. Bu maktabning ayrim xususiyatlari ulkan xalq baxshisi Abdulla Nurali o&#8217;g&#8217;li ijodi va repertuarida saqlanib qolgan. Shahrisabz &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/shahrisabz-dostonchilik-maktabi\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[211],"tags":[],"class_list":["post-104875","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sh-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/104875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=104875"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/104875\/revisions"}],"predecessor-version":[{"id":104891,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/104875\/revisions\/104891"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=104875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=104875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=104875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}