{"id":106720,"date":"2023-09-17T18:56:08","date_gmt":"2023-09-17T15:56:08","guid":{"rendered":"https:\/\/milliycha.uz\/?p=106720"},"modified":"2023-09-17T18:56:11","modified_gmt":"2023-09-17T15:56:11","slug":"rekviem","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/rekviem\/","title":{"rendered":"Rekviem"},"content":{"rendered":"\n<p>Rekviem (lotincha reguiem \u2014 orom, tinchlik) \u2014 marxumlar xotirasiga bag&#8217;ishlangan messa turi, diniy musiqa janri, lotin matnlariga aytiladigan vokal yoki vokal cholg&#8217;u turkumi. Tantanavor Messadan ba&#8217;zi (&#171;Gloria&#187;, &#171;Credo&#187;) qismlarining o&#8217;rniga boshqa (&#171;Reguiem aeternam&#187; \u2014 &#171;abadiy orom&#187;, &#171;Dies irae&#187; \u2014 &#171;Qiyomat&#187; kabi) qismlarning kiritilishi bilan farqlanadi. Qayg&#8217;uli, motamsaro xarakterga ega. Dastlab bir ovozli Grigorian xorali kuylariga asoslangan. 15-asrdan ko&#8217;p ovozli xor polifonik asari (G. Dyufai, Y. Okegem, O. Lasso, J. Palestrina), 17-asrdan xor, yakkaxon xonandalar va orkestr uchun gomofoniya uslubidagi yirik asar sifatida rivoj topdi. V. A. Mosart, G. Berlioz, J. Verdi, I. Brams Rekviemlari mazkur janrining eng mashhur namunalaridir. 20-asr kompozitorlari (I. Stravinskiy, A. Shnitke va boshqalar) diniy (lotin) matnlari qatori zamonaviy shoirlar she&#8217;rlaridan ham foydalanishgan (masalan, B. Brittenning &#171;Harbiy Rekviem&#187;i). O&#8217;zbekistonda Rekviem janriga M. Burhonov (&#171;abadiy xotira&#187;, 1996), F. YanovYanovskiy (&#171;Rekviem&#187;, 1997)lar murojaat qilishgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rekviem (lotincha reguiem \u2014 orom, tinchlik) \u2014 marxumlar xotirasiga bag&#8217;ishlangan messa turi, diniy musiqa janri, lotin matnlariga aytiladigan vokal yoki vokal cholg&#8217;u turkumi. Tantanavor Messadan ba&#8217;zi (&#171;Gloria&#187;, &#171;Credo&#187;) qismlarining o&#8217;rniga &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/rekviem\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[214],"tags":[],"class_list":["post-106720","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-r-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/106720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=106720"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/106720\/revisions"}],"predecessor-version":[{"id":106725,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/106720\/revisions\/106725"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=106720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=106720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=106720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}