{"id":107228,"date":"2023-09-20T09:21:28","date_gmt":"2023-09-20T06:21:28","guid":{"rendered":"https:\/\/milliycha.uz\/?p=107228"},"modified":"2023-09-20T09:21:32","modified_gmt":"2023-09-20T06:21:32","slug":"ramz-2","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/ramz-2\/","title":{"rendered":"Ramz"},"content":{"rendered":"\n<p>Ramz (Arabcha \u2014 ishora qilmoq) (badiiy adabiyotda) \u2014 voqelikni badiiy aks ettirishning shartli usuli; badiiy shartlilik shakllaridan. Ramz majozdan farq qilib, mazmuni obrazli qurilishi b-n bog&#8217;liq bo&#8217;ladi va ko&#8217;pma&#8217;noliligi bilan ajralib turadi. Ramz barcha xalqlar folklori va adabiyotida qadimdan mavjud. Ramziy obrazlar muayyan tizimni tashkil etadi va ayrim hollarda ko&#8217;pchilik xalqlar adabiyoti va san&#8217;atida mushtarak mazmunni ifodalaydi. Masalan, sher \u2014 mardlik, tulki \u2014 makkorlik, bo&#8217;ri \u2014 ochko&#8217;zlik va boshqalar. Adabiyot tarixida asrlar davomida ishlatilib kelinayotgan ramziy obrazlar tizimi ham mavjud; gul \u2014 go&#8217;zallik, ma&#8217;shuqa; bulbul \u2014 oshiq; sariq rang \u2014 mahzunlik, qora rang \u2014 motam ramzi va boshqalar. Ijodkorlar an&#8217;anaviy Ramzlar bilan bir qatorda tabiatdagi har bir hodisa va detal (masalan, bulut, buloq, chaqmoq va boshqalar)dan ramziy tasvir uchun foydalanadilar. Bunda u yoki bu narsa tasvir jarayonida yozuvchi maqsadiga xizmat qiluvchi muayyan ramziy ma&#8217;noga ega bo&#8217;ladi. Xalq og&#8217;zaki ijodiyoti va mumtoz adabiyotda keng ko&#8217;lamda ishlatilgan ramziy tasvir usuli hozirgi adabiyotda ham muvaffaqiyatli qo&#8217;llanilmoqda.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ramz (Arabcha \u2014 ishora qilmoq) (badiiy adabiyotda) \u2014 voqelikni badiiy aks ettirishning shartli usuli; badiiy shartlilik shakllaridan. Ramz majozdan farq qilib, mazmuni obrazli qurilishi b-n bog&#8217;liq bo&#8217;ladi va ko&#8217;pma&#8217;noliligi bilan &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/ramz-2\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":99837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[214],"tags":[],"class_list":["post-107228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-r-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/107228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=107228"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/107228\/revisions"}],"predecessor-version":[{"id":107242,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/107228\/revisions\/107242"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/99837"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=107228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=107228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=107228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}